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Playlist 28.02.10 (10:07 pm)
Yay for musics! LISTEN AGAIN, folks, at the bottom of this post! We started with one of Son Lux’s own reworkings of "Weapons", and then the opening track from the Joanna Newsom. The latter was so strikingly reminiscent of the lovely Kate Bush that I had to play a couple of her tunes, and a track from Pikelet’s new album segued so nicely from the latter that, well, it just had to be done. Back to Joanna for one of the absolute highlights, the gorgeous "In California", with wonderful orchestration and a curious way of changing key and then slipping back down a tone for the refrain. I couldn't resist playing Clouds’ dubstep anthem from a few years ago, sampling from "The Book of Right On", and that took us into one of Son Lux’s reworkings of My Brightest Diamond from her fabulous four-artist remix EP collection released a month or so ago. And then brilliant young composer/arranger Nico Muhly got his hands on the Son Lux tune, with a great arrangement and chunky beats. Speaking of chunky beats, I'm still obsessing a little over These New Puritans’s new album. Sad to have missed out on the limited edition featuring the full score, gimmick though that was. Another great track tonight. Following that, we had the first track from the new Autechre, which will no doubt be featured over the next good few shows. "known(1)" is one of the beatless (albeit not rhythm-less) tracks, with an incredible freaked-out melody. It was followed by the utterly classic "Flutter" from the Anti EP, its non-repetitive beats still thrilling, and the gorgeously long fade-out still something else. Couple of other long-fade-out tracks from Ae later on, but we took the tip from the frenetic beats to pull out some early drum'n'bass (1993) from Acro, which turns out to be a collaboration between Decoder & Technical Itch, and is the sort of stuff that must've been influencing the IDM/drill'n'bass folks around the mid-'90s. Back with Son Lux, and anticon labelmate Alias gets behind the mic for the first time in ages, as well as remixing the track. Following this, a brilliant track from ex-labelmate Sole with his current collaborater The Skyrider Band, aka William Ryan Fritch (see later in the playlist...) From there, Sydney/Adelaide duo Collarbones give us a piece of glitch-pop, and it's strongly recommended you go to their Bandcamp and download it FOR FREE. And thence to New Zealand, where we join the wonderful Chris Knox, along with Alec Bathgate for the seminal and hugely-influential lo-fi experimental wonder-group the Tall Dwarfs. As you may know, Chris suffered a stroke last year that has (as often they do) devastated his language centers, although he is able to move around and even play music again now. We heard a tune from the Tall Dwarfs, Chris's solo indie hit "Not Given Lightly", and a couple of really marvellous reworkings from a marvellous double CD compilation that you should go and buy right now, called Stroke, in which artists from all around the world gathered together to help this importand and well-loved musician/artist/writer get by. Next up, our man in Melbourne, John McCaffrey aka Part Timer has sent in another UFog exlusive (for now), his remix of Vieo Abiungo, which turns out to be another project of the disturbingly-talented William Ryan Fritch. This is one of the best Part Timer remixes in ages too, a bit of an idm thing nicely complementing the African-influenced original track. Japanese artist Miko contributes vocals and lovely glitches to Ian Hawgood’s remix album, and we then move back to Joanna Newsom for "Does Not Suffice", the last track from Have One On Me. It's a wonderful and fitting closer, wrapping up the tale with solo piano and voice, all the way up to the final lines, where the strings enter to underscore the final sentiment: "...and everywhere I tried to love you / is yours again, / and only yours." Gets you right between the eyes, and from there the song opens up crescendoing into a reverb-laden ending. I took the opportunity of the reverb to cross to the closing track from Autechre’s Oversteps, which managed to be in just the right key. It may not have the advantage of moving lyrics, but it's a beauty too, and has a lovely long fade out. Two more Ae-related tracks take us out - side project Gescom with “Key Nell 2”, with two great beats and long ambient outro and then "Nuane", which ends their greatest album, Chiastic Slide, with chattering, burbling synths from another planet. Son Lux - Weapons II [anticon] Listen again — ~ 180MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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