Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
Please Like us on Facebook! Here it is: Utility Fog on Facebook {and while you're at it, become a fan on Facebook} Sunday, 25th of April, 2010
Playlist 25.04.10 (11:19 pm)
Evening all! Beautiful music to start tonight... Chris Weisman appears again with a delightful ditty about "bicycle operator and co". Near the end he refers to the BOAC in the Beatles' "Back In The USSR", which that eminence gris of Drum Media, Ross Clelland, pointed out to me stands for "British Overseas Airways Corporation". I prefer Weisman's acronym. More also from Sam Amidon, including a track from his earlier album All Is Well — more highly authentic American folk. Matthew Herbert’s new album is as conceptual as ever. One One indicates that he has reduced his sphere of sample-sources to nothing but... himself! He plays and sings and produces and edits everything here, and his unsteady vocals lend a special quality to the familiar melodic cadences which are usually sung by one of his female accomplices. Lovely stuff. B. Dolan’s album continues to impress. Heavy tricky beats and great vocal delivery. I played Underlapper’s excellent remix of Parades a couple of weeks ago and it gets another spin tonight because the Parades album proper is now out. Jonathan Boulet & co take their drums into album drum'n'bass territory, with postrock aesthetics and great pop hooks. Underlapper just ramp it up to the Nth degree with a last third heading into full-on breakcore glitch territory... ...after which there is no choice but to play some new 65daysofstatic. I've been supporting these guys since their very first EP, and it's great to see their latest album getting an Australian release. Maybe now we'll get to see them live, finally. From their Weak4 EP we have a very electronic piece, kind of glitchy drum'n'bass, and then a really beautiful number from the album We Were Exploding Anyway, just out this very week. I'll play some more next week, along with a few exciting bits from their past — including something with young Robert Smith of a band called The Cure, who 65dos supported on tour last year (or... 2008-2009?) Following this, we were joined by the estimable Shoeb Ahmad from Canberra, who popped in for a chat and a chance to play some favourite music of his. Shoeb's work with Spartak and solo, and his label hellosQuare Recordings, have provided much listening fodder for Utility Fog over the years, so it was great to hear these selections, and also some of the connections that brought them forth. The "triple play" after Massive Attack is an interesting beast. Cold Cave is one of those bands combining the post-punk disco/electro-pop thing (I tried to get "goth" in there but wasn't sure where to put them hyphen) with a bit of the noise biz, and with both Dominick Fernow of Prurient (and Hospital Productions) and the fabulous Sarah Lipstate (Noveller) involved, at least live, it's got to be interesting. Continuing in the noise-meets-ambient sphere, we have some newness on boutique label Monstera Deliciosa, run by Grant Hunter of UFog faves Crab Smasher. Meanwhile, Gail Priest has some new tracks up on Bandcamp for only a few dollars. Disquieting vocal, acoustic and electronic sounds and one of the big recommendations of the week. A couple more tracks courtesy of Shoeb, including a bit of processed field recordings from Bangladesh, and then we're back to Sydney with Vorad Fils, aka John Hassell from Seekae. Anyone familiar with his trio's music will know what to expect, but this album certainly delivers — despite being written & recorded in only a few weeks. Glitched-up hip-hop beats, verging on the wonky side, with synths and (acoustic) piano processed to buggery. Did we say "wonky"? One of the centres of the west-coast US's wonky hip-hop/dubstep/thingy sound is Alpha Pup Records, whose latest release comes from Take. The album has really grown on me, but I'd been scratching my head for a week or more over the synth sample in this particular track... Chris Weisman - b.o.a.c. [autumn records] Listen again — ~ 175MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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