Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
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Playlist 02.05.10 (11:12 pm)
Quite a journey tonight, from late-'60s French freak folk (can I call it that? please?) to noise, to postrock/drill'n'bass... and more! I have only just discovered, via an internet friend, the amazing music that Brigitte Fontaine made with collaborator Areski Belkacem, and particularly on an incredible album working with avant-garde jazz pioneers the Art Ensemble of Chicago. I played the title track of the album Comme à la radio, and later another gorgeous folk song. Incredible music from 1969 still having repercussions today. Next up, a few things reminded me of this wonderful track from Spartak’s recent album. I was talking to Shoeb from the band last week on the show, and then this week John Part Timer sent me his remix of singer Lucrecia Perez’ solo project The Sound of Lucrecia. One of a few artists being featured on tonight's show is Serafina Steer, who I've been playing since her first 7" on Static Caravan. We heard that tonight, as well as a couple of tracks from her new album. Still plenty of her signature harp and vocals, with some different collaborators: on the Peach Heart 7" she worked with Mike Lindsay from Tunng; the new album is co-produced very sensitively by Benge and Capitol K, and although not altogether folktronic, it's a very modern take on folk songs. Sydney's Gail Priest, who we heard on last week's show as well, gives us a few tracks tonight. Two come from her new EP which you can grab from her Bandcamp right now - an amazing piece of vocal manipulation and a gorgeous piece of hi-fidelity guitar and effects. The other track is almost techno - the one track from her previous album imaginary conversations in reverberent rooms which edges towards dance music. We went from Gail Priest's technoid sounds to some other rhythmic explorations, starting with Daniel Lopatin's Oneohtrix Point Never, with a track which can only be found in Wire Magazine’s third subscriber-only Behind The Radar compilation. His familiar blissful but edgy analog synth patterns make us even more excited for the new album(s! - I believe) on their way from him this year... Back to The Wire's BTR comp with Jacques Beloeil, who seems to have very little info about him on the internets. Digital and analogue noise that's so extreme we had a listener wondering if there was something wrong with the transmitter; and yet even the modulated digital feedback seems to me to exhibit the hand of a real human intelligence. It's a fascinating listen. Also tonight, I finally got to play the collaboration between two of my favourite noise artists, Yellow Swans & Burning Star Core. C Spencer Yeh of BxC scrapes and howls on his violin over dense drones from Yellow Swans. After Beloeil this is beautiful chamber music :) And the last hour of tonight's show features a few more artists who deserve a few tracks in a row. First off, multi-instrumentalist prodigy William Ryan Fritch has a new album out as Vieo Abiungo, showcasing his musical prowess on a huge array of instruments, in something of a world music vein. He's probably best known as the backing for Sole as The Skyrider Band, where he can be anything from sample-based hip-hop to rock band. Next are 65daysofstatic, long beloved of this show. I've been playing them since their first EP, from which we heard a wonderfully raw track tonight. Also the explicitly drum'n'bass-meets-postrock of "await rescue", and then... The Cure! The boys toured the USA with Robert Smith's band in 2008, and as well as being asked to remix the band, they managed to get him in for a vocal appearance on their new album. They're still in fine form, and the new album can actually be found locally in Australia - so, no excuse! Finally, it's no secret (er, why would it be? weird expression!) that I'm a huge fan of Newcastle/Sydney noisesters Crab Smasher, and I recently discovered a blog post on Grant Hunter's Monstera Deliciosa with a really old cassette of theirs which was a fun listen. I also jumped back to 2007 for what's still one of their best releases, the Impossible Monsters EP, and finished with something from their latest EP, the doctor is in... over his head, which is undoubtedly some of their best work yet - nuanced free improv that you need in your earholes. Brigitte Fontaine et Areski avec the Art Ensemble of Chicago - Comme à la radio [Saravah] Listen again — ~ 175MB One Response to “Playlist 02.05.10”
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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May 3rd, 2010 at 12:42 am
Mate.. beautiful sounds you're playing us tonight.