Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
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Playlist 25.07.10 (12:13 am)
Evening! It's late-start-'Fog! It's also not-very-organised-'Fog, but some really interesting sounds, whether Nick Zammuto’s pre-Books electronic music, or Oval’s re-invention with tiny audio vignettes. I played Salem last week via These New Puritans’s amazing mix for FACT Mag, and this week have a so-heavy-it's-distorted slab of slo-mo hip-hop, plus a similarly slo-mo reworking of These New Puritans themselves. You can just about hear the original track if you stick it on straight after... Here We Go Magic put on a great performance directly before Utility Fog, and "Only Pieces", from their (at the time, just Luke Temple's) previous album. There were a gratifying number of HWGM fans in the audience, along with the massed Grizzly Bear fans, who were rewarded with a long set of which I caught less than half (see how dedicated I am?) I'm pretty sure Zeal’s debut album will be a stayer. Indietronica from Melbourne, nicely shambolic, with some great tunes. Like last week, we had a new track from part timer’s forthcoming album, plus a brilliant remix from the now-available remix disc which you can buy direct from him. The L-O-A-F Explorers' Club continues to turn up some excellent stuff. From the July EP we have Düsseldorf natives Hauschka & Stefan Schneider collaborating on a track that sounds more like the latter's Mapstation than Volker Bertelmann's prepared piano and strings as Hauschka. This month there's also a lovely piece by Nils Frahm which I'm holding off on because I should have a couple of other releases of his in the mail for next week's show! Again tonight I wanted to play something from Chris Abrahams’s wonderful new album, and I played a track which actually Room40 made available on a compilation a while ago - it's a fitting, beautiful end to the new album; and I wanted to play another little bit of The Necks for context (gotta love "context"), so we had a short and evocative piece from their soundtrack to Rowan Woods' harrowing 1998 movie The Boys. In between those two tracks, I played two very interesting little pieces by Markus Popp aka Oval, who's no longer slashing up CDs and glitching his way through semi-aleatoric ambience, but instead is using live instrumentation in unusual fashions. Both these tracks are available for free, as is quite a bit of tonight's music - see the playlist below for links. Sydney's This Is How It All Begins makes another appearance tonight. It's hard to excerpt this album, which likes silences in the middle of tracks, and climaxes many minutes in, but it's highly rewarding listening. Nick Zammuto of The Books is blogging their new album track by track over at their tumblr, and on Saturday he wrote a fascinating post on what's in many ways one of my least favourite tracks on the album, A Cold Freezin' Night. It shares with a fair proportion of the album (and moreso than their previous releases) a dependence on gimmicky joke samples, which don't take long (for me at least) to become annoying rather than enjoyable or clever. English experimental artist Chris Cook has been sending me his music for yonks - long before I even had a regular radio show. Originally based in Brighton, he was very active in the improv scene there, as well as with the Wrong Music bunch. As Same Actor, he uses sitar and dulcimer along with electronic manipulation, while Hot Roddy tends to be more along the zany electronic lines. His 4-track EP of sitar-based Kraftwerk covers is out now (see below) and I'm awaiting info on when and where the excellent Hot Roddy EP (also a free download) is coming out. The latters "Best Before 1997" is a perhaps sardonic reference to its drill'n'bass style. Speaking of drill'n'bass, Himuro’s "Tonoma Shock", from 1998, is one of my favourites of the genre - insane drum programming, classic bassline, drops and crescendos. He's still making music, and predictably his latest EP is dubstep and wonky-influenced, and pretty nice — oh, and free! Not free, but pretty cheap, is Autechre’s latest album, released as an EP. I've played it a fair bit already, and you can now read my review over at Cyclic Defrost. The track I played is, seriously, almost wonky hip-hop. Cute, eh! Salem - King Night [Merok Records] {download courtesy Stereogum} Listen again — ~ 146MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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