Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
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Playlist 15.08.10 (11:18 pm)
Evening folks! So exitement! Such good choons for you. So, I am again very late with writing these write-ups. I do so love having them here though - hope you do too! I do recommend this show (see podacst link at bottom) for some great coverage of post-classical piano music, futuristic drum'n'bass, and, um, other stuff... DM Stith’s double CD album of remixes and reworkings made an appearance on last week's show, but I have since gotten to give it a proper listening, and it's very good value indeed. We had a couple of great beat-driven remixes which don't lose the emotiveness and musicianship of the originals. Baths, an LA artist on anticon, seems to mix it all up together into one package. His production isn't as shiny or bass-heavy as some of his west-coast contemporaries, but he does share a bit of their shuffle and wonkiness in his combo of hip-hop and indie. The piano in ♥ seems to recall a bit of Doug McDiarmid's playing with Why? (never a bad thing), and the guy is in fact a pianist. Very lovely stuff. Meanwhile Antony, an artist I often can't stand because of his vocal tics, delivers a riveting and ravishing version of Oneohtrix Point Never’s processed-vocals-and-analog-synth track "Returnal" on a new 7". Despite the piano sounding totally "Antony", it is in fact played (very sensitively) by Daniel "Oneohtrix" Lopatin himself. You Must Not Miss This! The Fennesz remix, mashing up the two versions, is pretty great too (although Fennesz is getting a bit stuck on his particular shtick at this point I feel.) A very nice vocal track from the new Kammerflimmer Kollektief — see last week's playlist for lots of these guys. Next up, I couldn't resist dropping a couple of tracks again from the wonderul fos, a young Greek lady living in London, making that kind of music I love best - all over the place, ramshackle yet controlled, emotive yet experimental, organic and digital and lovely. "Discovery" of this week, though, is someone I've known about for a while but only just got a couple of albums by. Nils Frahm does that lovely post-minimalist (in the classical sense) piano thing that's around a bit, recalling collaborator Peter Broderick. The Bells is nice, but wintermusik, from which we had 1½ tracks tonight, is absolutely scintillatingly gorgeous. Meanwhile, his latest release is a collaboration with cellist Anne Müller and is equally extraordinary - Frahm (or both?) on electronics, a small amount of piano, and HEAPS of strings. It's kind of indescribable. Listen in (again) for some of what it sounds like, and tune in next week for more! Back in Sydney, Sophie Hutchings’s album is also based around the piano, along with some lovely cello on this track. More Frahm and fos, and we're back with the lovely Mr DM Stith. His Randy Newman cover is rather beautiful, with multi-tracked vocals — and another really great beat-heavy remix. We approached our drum'n'bass workout via Salem’s majorly-distorted slow-hop, which they seem to like to term "Drag". Looking forward to this album! I was listening to my Nine Inch Nails records earlier in the week, and thought it'd be nice to move into drum'n'bass-land via Trent Reznor's twisted vision. The How To Destroy Angels EP from earlier this year was a mixed bag, but there were some good songs there, especially this one. Meanwhile, the NIN album Ghosts is quite a remarkable thing, going from AFX Selected Ambient Works-style tracks to essentially instrumental NIN to something altogether different, like this banjo-led piece. And then... futuristic drum'n'bass madness, starting with Plug’s extraordinary remix of NIN, and one of my favourite of Luke Vibert's Plug tracks as well. Just discovered: Rival Consoles’ first EP (his album is apparently more techno-oriented). Nice post-classical piano stuff crossed with drill'n'bass/breakcore! And a nice way of edging back into more sedate sounds. Finally we make it back to Australia and a couple of first-class releases from down south. White Woods are originally from Hobart, and feature my favourite Hobart artist Keith Mason. Wonderful dirty lo-fi indie; I must play more of this! DM Stith - Thanksgiving Moon (Rafter remix) [Asthmatic Kitty] Listen again — ~ 173MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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