Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
Please Like us on Facebook! Here it is: Utility Fog on Facebook {and while you're at it, become a fan on Facebook} Sunday, 20th of February, 2011
Playlist 20.02.11 (10:27 pm)
ARGH I hate computers :( Last year the boys from Seekae kindly asked me to play some cello and organise some other strings for the album they were recording. Well, +DOME is finally coming out in a month's time, and I am the proud owner of an advance copy, so I couldn't resist spinning a few tunes off it tonight. Their love of glitchy laptop effects and shiny melodic keyboard lines is augmented with not just strings and some clarinet, but also none other than electric guitar on a few tracks — it was such an unexpected sound that I actually ejected the CD from the car stereo on my first listen on Saturday to check if it was really Seekae! But never fear, it's just what we'd expected and more. You're gonna love it. Another long-awaited Sydney electronic album comes out the week before the Seekae one: Collarbones’s album debut Iconography. At the moment we just have this one track, with Marcus’ multi-tracked vocal harmonies and their now-familiar stuttering digital edits and wonky beats. Justin K Broadrick is on a roll. I don't know whether it just seems that way, but it's like every month there's at least one new release from him. My new favourite identity of his is Pale Sketcher, and his latest EP is just out now on none other than Ghostly International, on limited vinyl and digital. And... Radiohead. Well it's not like they need an introduction from me. It's my guess that on the whole a UFog listener is going to like Radiohead, and as well as playing a couple of great tracks from the new album, I took us on a little tour of their more experimental (yet beautiful) tunes from the last decade or so. Back in 2007, when Thom Yorke was releasing a series of dubstep and electronic remixes of his solo work, Ital Tek put out a couple of the best dubstep 12"s of the year. One of them featured the track I played tonight, with a piano line that always struck me as being almost a sample of Radiohead's "Pyramid Song". I can't help thinking that's how it's intended. Back to electronica means back to Seekae, but first a pit-stop with ⅓ of the band, John Hassell as Peon. Clearly the J Dilla influence on this stuff is huge. It's fun wonky stuff. The Seeds of Autumn surprised me this week — starts off as your standard jazzy instrumental stuff, and then adds a cut-up drum'n'bassy beat and goes all crazy. Nice to hear some more Sydney music taking an interesting approach. Fab discovery of the week (thanks internets!) is Brooklyn's Live Footage, a duo made up of cello (with looping and other pedals) and drums/keyboards. It's sortof like live Squarepusher meets Penguin Café Orchestra. I'm disarmingly reminded of my own recent experiments in cello looping, and these guys have their technology down pat. Great stuff. Also down with the technology are Sydney's 3ofmillions, with another forthcoming album we got a sneak preview of tonight. It's more live and less cut-up than their previous album, but explores a tremendous array of sounds for piano-bass-drums jazz (well, it's piano/Rhodes/electronics, bass/electronics, and some vocals from all). I'm a fan. Back from last week, Aussie/US postrock band Beaten By Them noticed I couldn't find their first album and sent it to me. You can download it from their BandCamp (see below) and it's highly recommended — the cello is prominent in the arrangements and mix, far more than you'd expect from a standard (post-)rock band employing a string instrument. The new album is out soon and continues the story. Chris Weisman is one of those insanely prolific songwriters who boggle the mind. A bit of an outsider artist perhaps, he's very willing to experiment with sounds (including in collaboration with his (boutique) label boss Greg Davis) but is entirely at home recording perfect lo-fi pop songs on cassette, with guitar, keyboards, drum machines, whatever. There's traces of the Beatles (obviously), Pavement and Antonio Carlos Jobim, but there's also a signature sound to his vocals and melodies that makes him a striking talent. My colleague Stuart Buchanan's New Weird Australia has a new compilation out, one whose theme is a little difficult to articulate, but encompasses lo-fi in all its incarnations. From Melbourne's NO ZU, a track which escaped me when I (presumably) heard it on their EP from last year, krautrocky synths and tribal drums yeah! And before we reprise Pale Sketcher and Seekae once more to end the show, a reprise again from last week, of the amazing Danny Saul: lonely acoustic guitar and vocals are besieged by roaring, crackling noise. Seekae - Go [Rice is Nice] Listen again (LINK FIXED) — ~ 171MB
Comments Off on Playlist 20.02.11
Check the sidebar for archive links!
|
email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
Other: Login if you're, like, the author or something Meta: RSS 2.0 Comments RSS 2.0 WordPress |
45 queries. 0.084 seconds. Powered by WordPress |