Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
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Playlist 22.05.11 (11:03 pm)
Good evening! I came in an hour early tonight to present Sunday Night at the Movies, which was a breeze due to the dilligent production from Scarlett Di Maio. Lots of great sounds tonight on the 'Fog, though! Starting up with Evelyn Morris, who's still putting up awesome little experimental songs on the Pikelet Bandcamp quite regularly. Most extraordinary sounds this week come from The Magic I.D.’s new album I'm So Awake / Sleepless I Feel. German experimental music gods Margareth Kammerer and Christof Kurzmann are joined by two beautiful clarinettists, Michael Thieke and Kai Fagaschinski. It's a very unusual sound, with strummed guitars, softly sung vocals (German-accented in English) and laptop edits and processing along with the pure clarinet tones. Kris Keogh’s latest release, under his own name for the first time rather than Blastcorp or as part of Red Plum & Snow, sees him creating enthralling waves of noise from processed harp. Gotta be worth a free download, hey! Canberran post-jazz ensemble Pollen Trio have a new EP out, after losing their original bass player, and it's abstract and beautiful. Get it direct from the band, and I also strongly recomment their previous output from hellosQuare, including this remix EP. Although I featured these next two remix albums a little while ago on the show, the Tokyo Bloodworm is only just available in physical format, and the Vieo Abiungo is available for download from the label Tokyo Bloodworm run, Lost Tribe Sound. They're both absolutely unmissable. From the Vieo Abiungo remix album we also have another Melbourne act, Children of the Wave, contributing a mysterious journey into further global territories than the original even explored. And then one half of Tokyo Bloodworm, Sleepcrime, gives us an incredible 21-minute remix journey into sound — starting with with rhythmic violin, then double bass, gradually more processing, beats and layering. It's rather wonderful. The SkyRider Band, fronted by Bud Berning and featuring William Ryan Fritch, has been working with alt.hop artist Sole for some years now. You may have heard the excellent new single and the even more excellent Alias reimx; tonight I'm playing SkyRider’s own remix, which is essentially an instrumental. Icelandic composer and producer Ólafur Arnalds takes us into the latest Japan fundraiser comp, this one from Unseen Music. I don't want us to get Japan relief fatigue, because let's face it, it's a worthy cause (although the equally devastating disasters like the flooding in southern Thailand (to name one example) aren't getting nearly as much attention) — but that said, it's impossible to feel fatigue when time after time they're so damn good! For Nihon is the most ambient one yet. Arnalds pulls out the sweetly-discordant strings, minimal beats and piano, and Alva Noto contributes his usual impeccable minimalism. Then we're back to the amazing 31 songs for japan compilation that flau released last week - compulsory for all UFog listeners, head to the Bandcamp now! Sydney's own wonderful pimmon contributes a mysterious 10-minute piece of white noise, drones and buried, half-identifiable sounds. And Gurun Gurun dispense with vocals, using field recordings, acoustic instruments and sound effects for a lovely warm sound. Back to For Nihon, a gorgeous subdued shoegazey tune from Hollie Kenniff, who sings in Mint Julep with her husband Keith, the man behind the Unseen label, and better known as Helios and Goldmund. Finally from flau, how awesome to have a new tune from Bracken. It's over 9 minutes of slightly dubby indietronic goodness. By the time you get to the last third of the track and the vocals enter, you'll realise just why this song is so. damn. amazing. In some ways it's totally weird that both Lia Tsamoglou and Kell Derrig-Hall of Moonmilk are now making countrified retro pop, but they're excellent musicians, and why not? Lia's project Melodie Nelson has an album out soon, and there's a Collarbones remix, which makes it irresistible to me. Very fitting follow-up is a beautiful piece of layered vocals from Bon Chat, Bon Rat’s Reece Cooper and his sister, covering a David Sylvian track. Hopefully Reece will send me more of this very promising partnership soon. Pikelet - Out Real Out [Pikelet Bandcamp] Listen again — ~ 217MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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