Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
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Playlist 19.06.11 (11:12 pm)
Some new and exclusive music tonight, from world-folk to dubstep to live drum'n'bass... Amazing album from Ryan Teague starts tonight's show, on the beautifully-packaged Sonic Pieces label. After some orchestral classical music with ambient electronics on the Type label, it's interesting to hear his approach here, which features crystalline acoustic guitar, played fingerstyle, with some very tasteful/tasty production and occasional e-bow and vocals. It's highly effective, and if it's strong on first listen, it's still a grower. I'll be coming back to this one frequently. I'm very lucky to have to have an exclusive tonight — some tracks from the forthcoming Vieo Abiungo album and the world is still yawning, via Lost Tribe Sound. As with his previous album, William Ryan Fritch produces a sumptuous mix of instruments (all played by him) in a world-folk mélange — but I think if anything he's more successful at pulling it together here, and there are a few melodic sections which are just breathtaking. Manyfingers' 3ef impression takes us into almost-drum'n'bass territory, so it's time to hear from London's Three Trapped Tigers, who've done a great line in live Squarepusher impressions, but also like their rock riffs. It's math rock meets live drill'n'bass drumming, and surprisingly raucous and rocky on the whole on their new album. I had to play one track from the first of their three EPs as well. More next week, fun stuff. From there, we head into heavy bass territory via the excellent dubstep label Deep Medi, whose three Deep Medi Releases volumes I recently picked up on CD. Japan's Goth-Trad has insanely awesome beats and drum fills on "Law", while Finnish duo Clouds bring in some female vocals from Tiiu along with a lighter touch. Silkie’s album on Deep Medi is one of my favourite single-artist dubstep album of all time (OF ALL TIME), and I can't wait for City Limits Volume 2, which drops any minute. Love the extravagance of the bassline and keys on "Planet X". We also heard from Antlerland last week, and this time round it's a very demented bedroom drum'n'bass tune. All good fun. Finally I've gotten around to playing some of the "Bleak Metal" brought to us by New Weird Australia — their latest compilation. We started with Brisbane's Axxonn, screeching digital noise giving way to huge layers of distortion. What makes it special are the regular chord changes - it's not just a humungous static drone by any means. And with the guitars, let's go now to Matt Christensen, best known for his band Zelienople. Solo he keeps the lo-fi (but well-produced) vibes, with heartfelt songs and simple but unique arrangements. Zelienople deserve wider recognition than I think they've received, and I hope this album can also get some traction despite being on the relatively obscure (but totally awesome) UK label Under The Spire. Somehow the feeling coming from Matt Christensen's songs pushed me into Julianna Barwick next. Her layered vocals, I must admit, at first didn't quite appeal to me, but by the time I was starting to keep hitting the skip button, I heard a couple of exquisite songs near the end of her LP which make me want to give the whole album a much fairer go. Admittedly the vocal harmonies here are less extravagant, and there's room for a bit of bass guitar impetus too. We follow with two tracks from a lost masterpiece, an early release (from 2006) by Geoff Mullen, who works at Keith Fullerton Whitman’s legendary online experimental experimental music emporium Mimaroglu Music Sales. Keith released this album, thrtysxtrllnmnfstns, on a short-lived (beautifully-packaged) label, and still seems to have a few copies left (see label link below). It's genius — Mullen plays pristinely-recorded acoustic & electric guitar and banjo, and then sets it in dialogue with very noisy electronic machines. Also a genius at juxtaposition is David Sylvian, whose new album I can't get enough of. The title track concludes tonight's show with more ravishing strings, with Sylvian's vocals somehow pressing on in a weirdly-unrelated key, until twice an enthralling bass note and harmonies bring everything into focus. Masterful. Ryan Teague - White Nights [Sonic Pieces] Listen again — ~ 164MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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