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Sunday, 13th of November, 2011
Playlist 13.11.11 (10:06 pm)
Hey yo, what's happening? At the start, I felt it necessary (Felt, get it?) to showcase some more of the music of Nils Frahm, from his new album Felt and from earlier releases. His beautiful sensitive piano playing is perfectly balanced between heart-catching melody, pianistic technique, and recording experimentation. On the new album, the muted piano is mic'd up so close that his fingers hitting the keys add a percussive element, while the ambient room sounds and breathing sound almost like vinyl surface noise. Frahm's collaboration with Peter Broderick, oliveray, coming out in December, seems inevitable - they've been caught up in each other's music for years, dedicating tracks and releases to each other, and this musical love affair finds its official fruition in a characteristically understated combination of post-classical, folk and ambient approaches. Just one preview track tonight. Next up, two new remixes by the brilliant violin/viola duo Geese. So great hearing string players messing with sound in the studio so assuredly. What they've been doing over the last couple of years, with a solid selection of artists, is definitely remixing, and the rhythms of ricochet bowing and plucking, plus melodic layers and harmonic invention are a joy to hear. Tonight we heard their takes on Irish singer Adrian Crowley and legendary ambient techno producer David Holmes, more lately a soundtrack composer of some renown. And keeping it stringy, a new Balmorhea track exclusively available on their new live album. Their latest music is some of their best — catchy, propulsive stuff, folk baroque'n'roll (I promise I'll never use that expression again). Japanese minimalists Minamo's latest, released by Brisbane's Room40, is captivating. The sounds seem to mostly be acoustic — bells and gongs and guitars and strings — and are masterfully put together. Speaking of acoustic sounds, umin’s music is sourced from his skillful ukelele playing, but is chopped and put through the digital wringer. It's constantly ear-catching, and provides a surprisingly suitable backdrop for the one vocal number on the album too. And then via a short experimental hip-hop tune from Gescom, we arrive at another little special for the night: the music of Travis Stewart aka Machinedrum. I came across his first album, relatively lo-fi idm under the Syndrone moniker and the first release on the legendary Merck label. The title track is particularly good, and it all bears the strong mark of Gescom’s parent group Autechre. Moving more into techno territory, albeit a krautrockian style with shoegazey desires is Walls, the project of Banjo or Freakout and Allez Allez. Pretty sure it's better than either member's solo stuff, and strangely different from both too. Really quite evocative and compelling. Also disturbingly technoey, and just plain disturbing, is Prurient’s latest single. No howling vocals, but his matter-of-fact spoken intonation over mournful and repetitive synths, quite post-punk and industrial in a way. I'm not sure what to make of the new Fennesz. He's gradually getting more and more sugary, to the point of almost being insipid. I hate to say he's losing his edge, but he's losing his edge really. He still has a huge weighty history of inspiring digital and guitar sound behind him, but a release like this is treading water, and sinking under its t(w)inkly pleasantness. Finally we had Shoeb Ahmad in for the last hour or so, and heard some hellosQuare Recordings and talked about his music and label. The latest release is from the amazing Pollen Trio, with exploratory post-jazz featuring Shoeb's partner in Spartak, drummer Evan Dorrian. We heard tales of touring in Japan and explanations of some of their musical processes. We also had a sneak preview of their pop project Savages, which would be #1 with a bullet if I was the buying public. Finishing up we had a current favourite from Shoeb, the confounding sounds of Disco Inferno. Pop music has never been more uncompromising. Nils Frahm - Less [Erased Tapes] Listen again — ~ 161MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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