Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
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Playlist 25.03.12 (10:12 pm)
Big interview with Greg Haines tonight, plus Teho Teardo, Margins, Clark and more. We started the show with some of the beautiful music on Greg Haines' new album for Sydney's Preservation, and then I had a chat with Greg over Skype from Europe. He talked about not coming from an academic classical background, his composition process, working with (very talented) schoolkids and with various Berlin-based colleagues, playing live vs creating music for recordings, and lots more — plus we heard a goodly amount of his wonderful music, including his duo with Danny Saul, Liondialer. From Greg we go east to another composer working with electronics and crossing genres, Italian Teho Teardo, with his new album Music, Film. Music. A few years ago I played on the show a rather brilliant collaboration with one of my favourite cellists, Erik Friedlander. Erik appears on this new album along with genre-leaping violinist Alexander Balanescu and, on one track, the voice of the one and only Blixa Bargeld. Being film music, the sounds here are somewhat tamed compared to the experimentalism of the Freidlander collaboration, but the combination of electronic elements and lush string arrangements is beautiful. Another experimental artist "experimenting" with more approachable sounds for soundtrack work is Melbourne composer Anthony Pateras, who we recently saw in Sydney in an incendiary solo piano performance supporting Mike Patton's Mondo Cane. His piano's certainly prominent on these tracks, along with orchestral instruments and electronics. One track stands out with beats and noises, produced with Lachlan Carrick. Sticking with Melbourne, we have the new album from postrockers (or instrumental rock band, anyway) Margins. I'll be chatting with Brett from the band in a couple of weeks, and I'm really enjoying their new album, which sticks mostly to the guitar/bass/drums template, but isn't afraid to explore sound, drop dub echoes in here and there, and even introduce some wordless female vocals on one standout track. They strike me as a bit of a Melbourne Founder, which is high praise! In celebration of his very excellent new album, we had a bit of a feature on Warp's Chris Clark — once a young turk bringing his Aphex-influenced acid to a well-established label, and now a vanguard name on the label. He's got the wonderful Martina Topley Bird singing on a few tracks, to great effect — it's hard not to be reminded of the Bristol trip-hop of Tricky's debut album when one hears her voice, and there's something of that flavour in the folktronic numbers which feature her, but one thing Clark has achieved over the last 6 or so years since Body Riddle is an absolutely idiosyncratic sound, for all its references to Boards of Canada and Autechre. Finally this week also saw the release of a collaboration nobody saw coming, nor asked for. I'm surprised, really, at how lacklustre the Sufjan Stevens / Son Lux / Serengeti collaboration is. I loved the touches of autotune on Sufjan's last album, but here it's cloying and gratuitous; and after his autotuned appearance on the first track, Sufjan's all but ununnoticeable on the rest of the EP. Highlight is definitely the Shara Worden-heavy "If This Is Real", jazzy and extroverted. And so we finish with the equally extroverted Son Lux remix of Ms Worden's My Brightest Diamond, and look forward to seeing her at Vivid Sydney in May. Greg Haines - 183 Times [Preservation] Listen again — ~ 158MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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