Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
Please Like us on Facebook! Here it is: Utility Fog on Facebook {and while you're at it, become a fan on Facebook} Sunday, 20th of May, 2012
Playlist 20.05.12 (11:07 pm)
Tonight ranges from a whole lot of electronic sounds at the start to ascetic folk by way of noise/drone of Richard Youngs at the end. Emika put out a very fine dubstep-influenced album last year, and her new single keeps it very electronic, albeit not really dancefloor fare. As dark as ever, she's processed and glitched on "Save It", with a skittery but dubstep-flavoured beat. The title track of the EP, on the other hand, is a lysergic, disorienting piece of techno more than dubstep, and the re-edit makes it more submerged and dark. One of my favourite dubstep albums of the year has just come out from Komonazmuk. I first discovered him in 2007 with an awesome song sampling Saint Etienne on the more breakcore-oriented Terminal Dusk label. The new album verges into something like UK funky and even drum'n'bass at one point, but is mostly very nice heavy core dubstep with great beats, lots of variation through the tracks, and even some Silkie-style jazzy melodicism here and there. Lorn's debut on Brainfeeder was one of the most melodic and rhythmically enjoyable electronic albums of the last few years. His newie is coming out on Ninja Tune and it's quite a bit darker, but still as inventive and richly-produced. The new (free download) compilation from New Weird Australia came out this weekend, this time a collaboration with Melbourne's Fallopian Tunes. I can't work out who Bad Bones is, but it's a fun and very short track. And Exotic Snake contribute some current beats and a lovely chord progression. That chord progression nicely segues into our next little feature, via the "lullaby" from Erast, aka Nikakoi, an (Eastern European) Georgian artist who's been making IDM since around 2002. He's turned up this year producing the latest album from Japanese electronic chanteuse Coppe', and so I went back to listen to his excellent back catalogue. With drill'n'bass and glitchy breaks rubbing shoulders with quite Eastern European flavoured harmonies here and there, he's always been on my to-buy list, and it's nice to find him very fittingly producing tracks with Coppe'. We also heard a couple more remixes of her track Yogurt, which is simple and strong enough to support and entire album's worth of remixes via the Bit-Phalanx collective from the UK. A change of gear, next up we have a visit from looping cellist Zoë Keating, who's making a welcome visit to Australian shores the weekend after next. Her music's very melodic, but she doesn't hesitate to bring out the rhythms and lay pulsating effects over her cello loops when necessary. Beguiling stuff. Keeping it quasi-classical, Nico Muhly has a new EP out which is the first in a series of three "drones" focused affairs. The drones here are provided by strings, with piano bashing out rhythmic counterpoints throughout. I'm chomping at the bit to play you more from Shoeb Ahmad's marvellous new album, but it's not out till mid-June, so I'm sticking for now to the excellent indietronic single "Falling Fast", with drum machine and guitar strumming juxtaposed with sampled string glissandi and his unassuming vocals. I also dredged up a Part Timer remix of an older version of this tune, from way back in 2007! And finally, as much as I could fit in for tonight's pièce de resistance, the (song-based) works of Richard Youngs. I came to him far too late, and he has an insanely huge oeuvre, even if we're ignoring for now his collaborative (and solo) works in the noise world. Youngs is an Englishman who's been based in Scotland for decades, and who has a singular approach to songwriting, derived from traditional English (folk) song, with a penchant for (r)evolutionary vocal repetition and accompaniments that can range from simple piano or classical guitar to multi-tracked, out-of-phase instruments, squalls of guitar noise, electronically layered manic drums — you name it, pretty much. I only managed to cover the tip of the iceberg tonight, and I've only personally dipped into a smallish proportion (or so it feels), but his work is incredibly inspiring, even though (or partially because) the dogged repitition can become painful if you're not listening in the right frame of mind. Emika - Save It [Ninja Tune] Listen again — ~ 159MB
Comments Off on Playlist 20.05.12
Check the sidebar for archive links!
|
email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
Other: Login if you're, like, the author or something Meta: RSS 2.0 Comments RSS 2.0 WordPress |
45 queries. 0.081 seconds. Powered by WordPress |