Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
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Playlist 17.06.12 (11:06 pm)
A very krautrocking good day to you. Two tracks open tonight's show from Russia's Oceania, from an excellent EP of dubstep/bass music with a pop edge. In 1997, Mute released a 2CD set called Sacrilege, featuring remixes of the legendary krautrock group Can in various contemporary electronic styles. I didn't really know Can at that stage, but I loved my drum'n'bass and experimental electronica, and that was here in spades. I'm well acquainted with Can's legacy now, but I still have a fondness for these remixes, however of-their-time they are. A Guy Called Gerald here delivers a track which could hardly be accused of containing any references to Can's original, but is a storming piece of beat-choppery whatever. So, Can. There's not much need for me to introduce them — one of the most important groups in the legacy of "krautrock", a genre name redolent of anti-German bigotry, but strangely embraced by its proponents (on the whole, I think). Can's influence can be felt across punk & post-punk, electronica, postrock, ambient music and so much more. For me, Jaki Lebezeit's propulsive funk-influenced drumming is the core to their best tracks, some of which are heard tonight — along with the adventurous analogue sampling, and the stream-of-consciousness lyrics from their two main vocalists. We heard some previously unreleased gems with both Malcolm Mooney and Damo Suzuki tonight from The Lost Tapes boxset, including a 12 minute soundtrack excerpt which is a sort of extended jam on the brilliant "Vitamin C". Sydney's Kevin Purdy has certainly ingested a lot of krautrock in his time, and some of his earlier albums, along with his duo Tooth with Sir Robbo. His new album is his take on ambient music, but isn't lacking in beats and experimentation either. Hopefully next week I'll play a longer, freakier track! We heard a couple more takes from Shoeb Ahmad's newie, Watch/Illuminate, which was launched at London's Cafe OTO earlier this week. I can't recommend the album enough. Also appearing at that show, launching their own new album, was Leverton Fox, featuring Sam Britton of Icarus along with live drums and trumpet. Improv meets electronics, with some very beguiling sounds. Oneohtrix Point Never has a new EP out shortly of remixes and collaborations from his Replica album. Mostly short and sweet, they include Matmos and Surgeon, plus two vocal renditions of his tracks. Roger Robinson of King Midas Sound drops his characteristic vocals over "Replica", with OPNon the subtle edits. Meanwhile Richard Youngs, of all people, turns "Nassau" into a howling, distorted mess. Quite disturbing, really :) Two Australian labels, Sydney's Feral Media & Brisbane's lofly, have teamed up for their second remix compilation, Strain of Origin II. As with the previous volume, it pits artists from the two cities "against" each other, but in a "team" fashion, so the same artists don't actually remix each other. Very fine from my first quick listen, and it's a free download from Bandcamp! Launched this weekend in Sydney was Clan Analogue's tribute to Severed Heads, entitled Headspace. It's strange to hear covers of and artist with such an iconic sound, but there sure are a lot of catchy tunes in Tom Ellard (& co)'s catalogue. We heard two Sydney artists, Kazumichi Grime and Aeriae, doing very distinctive but still recognizable takes — plus I had to play something by Severed Heads from my favourite late-'80s-to-early-'90s period. After an epic special on Amon Tobin a couple of weeks back, I've been shying away from playing too much more, although there's a plethora of great material. Tonight I had Julia Kent's cover of "Surge" as my excuse, and I played a couple of very beautiful multi-tracked cello pieces from her as well. Next up, a little special I've been meaning to play for a while on Japanaese electronica artist Geskia!, including a remix from the always brilliant Bracken. Crunchy beats and ambient textures. Ending with one more cut from Shoeb's album, preceded by one short track from the new glitchy opus from Markus Mehr — definitely recommended, more from it next week. Oceania - Mantra [7even Recordings] Listen again — ~ 159MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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