Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
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Playlist 12.08.12 (10:09 pm)
Second two-hour Utility Fog ever! I'm still getting the hang of this! But I like the early Sunday nights! I first came across the collaboration between French poet/artist Anne-James Chaton and guitarist/producer Andy Moor via DJ /rupture, and so it's nice to hear him contributing the English version of the vocal for their new Olympics-themed track "Break The Record". Minimal pulsating beats and politically-charged spoken word are the order of the day, as with the older track I played. I'm not sure how I missed Grumbling Fur when their first album came out last year, but Southern's Latitudes imprint I discovered it's the duo of Alexander Tucker and Daniel O'Sullivan of Guapo, Ulver and Mothlite. To my ears this is miles better than the recent Mothlite album (the first was so good, such a shame) and even the Alexander Tucker's latest. Multi-instrumental and multi-genre, with psych-folk and psych-rock rubbing up against krautrock and electronic tendencies. Epic and awesome. Also epic in sound is Borealis (no relation to Aurora Borealis label). Jesse Somfay's been making techno and ambient for a while, but this is the first album for his Borealis moniker. Shoegazey in scope, it features big reverb, glittering synths, fractured female vocal samples, and lovely big beats that sometimes sound like real drums, and sometimes that clattering, shuffling post-r'n'b thing everyone's doing these days. You can grab the album for whatever you want to pay, so go support good music. Meanwhile, after Borealis, another artist to watch is Memotone, who's at home with the post-r'n'b/dubstep beats (one track reminds me a lot of recent Downliners Sekt) but also with almost post-classical acoustic sounds on his latest EP. It'll be very interesting to see where he goes next. On the same label as Memotone's latest, we have With Joyful Lips, an art/music project which reminds me glancingly of earlyish Tunng, with a slightly post-r'n'b twist. Their paean to sleeplessness and melatonin has a nice lilting beat and general air of pleasantness to it. Tune in next week for a bit of a special on Dubliner Dunk Murphy and his Sunken Foal project, including some tracks from his legendary duo Ambulance. His debut album on Planet µ floored me with its combination of piano and tweaked electronics. The new one has a bigger spread of acoustic instruments, including ukulele and mandolin, along with some very funky (literally) beats of various varieties. It's awesome and a free download. London-based composer Gabriel Prokofiev has been running his Nonclassical label and putting on events for a few years now. His latest album is a collaboration with the virtuoso Peter Gregson, with extended techniques of all sorts on the cello, plus (as usual with Nonclassical releases) some sensitive remixes of the already rhythmic (and sometimes melodic) sounds. Tim Exile adds whumping bass, beats and nicely twisted effects on his highlight remix. Another free Bandcamp release comes from Perth's Kučka via the excellent Wood & Wire. Laura Jane Lowther createst catchy songs from her voice, keyboards, percussion and piano along with 2012-style beats and punchy basslines. Plenty of artists come to mind, but comparisons are odious with artist with such a strong vision. She should go far. NZ-by-way-of-Sydney duo Kompost continue to release new tracks on their Bandcamp, in their krautrocktronic vein, and they've just told me that they will be collecting some of these into a real album soon — great news! And finally, Petrels, the side-project/solo project of Oliver Barrett now that Bleeding Heart Narrative is a full band, have released a couple of recent tracks on their Bandcamp, with more to come. One of the most exciting new artists from the last few years, with a big range from emotion-wracked post-classical through noise, songwriting, and krautrocky beats... Yes, yes, yes. Anne-James Chaton + Andy Moor - Break The Record (English vocal by DJ /rupture) [Unsounds] Listen again — ~ 106MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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