Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
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Playlist 14.04.13 (10:04 pm)
Tonight we range from art-punk to post-classical electronica, lots of glitchy electronics, and even experimental Chinese folk music. LISTEN again or for the first time and forever! via the download link at the bottom, the podcast, or the glorious stereo of FBi's streaming on demand. We start tonight with the totally unhinged vocals of Eugene S Robinson and his art-punk(?) group Oxbow, who go way back to the late '80s. First track features the one and only Marianne Faithfull duetting with Robinson in a slowed-down, intense cover of an already pretty intense blues song, Insane Asylum - and you really must click the link to hear the original by Willie Nixon with Koko Taylor. Please do. We were listening to Oxbow because Eugene Robinson has been working a lot lately with Monsieur Philippe Petit, and I wanted to play some more of Philippe's work. The duo material is Robinson in storyteller mode, and while it's amazing it's probably too longform to play on the show, so we had a pretty amazing piece from Petit's ensemble Strings of Consciousness instead. Next up, a few more samplings from the wonderful new Leah Kardos album, keeping the neo/post-classical theme, along with one from her previous album. Piano, opera-trained vocals, electronics. Josh Abrahams is a name we haven't heard for ages as a solo producer. A renowned producer of other people's material (including Amiel's hit Addicted To Bass), he was also involved in the early rave days with Future Sound Of Melbourne. His new EP is a delightful set of upbeat bedroom electronics, no doubt involving his extensive collection of analogue synths. Back to Sydney, or rather the Blue Mountains, we have a new single (17 minute!) track EP from 0.1. Feral Media gave us a radio edit, but I decided I could one-up them, or at least I wanted to highlight some slightly different sections, so I did my own. As usual, this young producer travels the gamut of styles from glitchy processing to breakneck beats to Sigur Rós-style postrock with vocals. Expect a fantastic album later this year. Brisbane's Ektoise seem to fly a little under the radar in Australia, but their brand of post-industrial electronica and postrock has made a name overseas, and their previous remix album featured the likes of The Black Dog and Bola contributing. Their new one has some great locals including fellow Brisvegan Subsea, and the legendary Mark Fell who we'll hear in a later week, plus none other than British cellist and sound designer The Haxan Cloak. After years of scratching CDs and painting them with markers to created a signature sound in the glitch oeuvre, Markus Popp aka Oval disappeared from view for a while, and a few years ago he re-surfaced with a new sound, no less glitchy but based around purposeful arrangement of samples of mostly acoustic guitar and drums. It was strangely compelling folktronica, but it's very interesting to discover that he's recently extended that project with a project involving vocalists from various South American countries. The results are available to download free, and feature reworkings of recent Oval tracks (maybe some new ones too?) with some very talented singers. It's rather beautiful and very UFog-friendly. Finally, for Record Store Day this year, Sydney's Tenzenmen are releasing a 7" of "Music For Advertisements" from Chinese-American musician Li Daiguo. Moving to Chengdu in China a few years ago, he composed a number of musical postcards which are the eponymous "advertisements" - not for real commercials, but rather depictions of areas in Chengdu. It's a fascinating mix of Chinese traditional music and experimental improv from a (Western) classically-trained musician. Check it out! Oxbow - Insylum (feat. Marianne Faithfull) [re-release on Hydra Head] Listen again — ~ 102MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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