Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
Please Like us on Facebook! Here it is: Utility Fog on Facebook {and while you're at it, become a fan on Facebook} Sunday, 16th of June, 2013
Playlist 16.06.13 (10:04 pm)
Not quite as concentrated a show tonight, even though we fitted in a couple of aritst specials! Listen again or for the first time, on the podcast, downloadable below, or in stereo on your mobile or computer streamed on demand from FBi. Starting tonight with a little special on These New Puritans, whose new album has raced up the best-of list for 2013. I'm still not sure it eclipses their incredible Hidden, which saw them turn their sound around for a sortof art-punk-disco into an amalgam of 20th century British classical influences (Benjamin Britten in particular), a particularly English strain of postrock, and dancehall's Bass children. The new album moves further into the quiet Talk Talk side of things and the classical choral and wind arrangements, further damping the beats and percussion. No surprise that it's produced with Graham Sutton of Bark Psychosis. There's some true beauty here, and a languid structure that rewards attentive listening and works better as one work. Still, the epic "V (Island Song)" that we opened with fits in most of what this album is about, although we didn't get to hear the beautiful vocals of Portuguese singer Elisa Rodrigues who appears on a number tracks, smoothing out Jack Barnett's awkward (yet effective) tones. I have no proof that the title "Fragment Two" is a reference to Robert Wyatt's track "Fragment" (featuring Brazilian singer Monica Vasconcelos) from his Comicopera album. It has no real musical connection that I can find, but I like the idea that there's a connection, and any excuse to play Robert Wyatt... It's always worth a mention when New Weird Australia drop a new compilation, and their latest, a collection of experimental guitar music from around the country, is a doozy. Collected by Andrew Tuttle (soon I'll be able to stop saying "ex-Anonymeye"), it's arranged as two sides to a mixtape, and features many well-known names and many new ones. Instant highlight is the gorgeous opener from Kris Keogh (ex-Blastcorp etc), who does to his guitar what he did to his harp for New Weird Australia a little while ago, a touching piece of processed indie songwriting. Meanwhile Kristian Roberts mangles his guitar in a way reminiscent of the extremes of James Plotkin's work. And then here we are with the second special of the night. This time it's Melbourne's Skye Klein, whose Terminal Sound System we've been hearing on the show for many years. Also known for doom rock with HALO, as Terminal Sound System Klein has been deconstructing drum'n'bass for over a decade, but more recently he has been adding back rock elements and even song structures. I hope, though, that it was revelatory to explore a small part of his back catalogue, which features some truly indispensable beat-mangling and minimal glitchy textures, almost all of which you can now find at his Bandcamp - although you'll have to look elsewhere for his The Rectifiers remix (which comes from a magnificent EP, so do go looking!) Finally, Matthew Collings has released a new six-part composition called Elysia on his own Bandcamp, which represents the sound he's developed in his recent live shows. It's great to hear something different from the man behind one of our favourite albums of the year, Splintered Instruments. Featuring his clarinet among the grainy drones and noise, it's quite a trip and deserves your ears all the way through. These New Puritans - V (Island Song) [Infectious] Listen again — ~ 109MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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