Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
Please Like us on Facebook! Here it is: Utility Fog on Facebook {and while you're at it, become a fan on Facebook} Sunday, 25th of August, 2013
Playlist 25.08.13 (10:05 pm)
Tonight's the first of my 10th birthday celebration shows! So, all 2003 music tonight! OMGZ LISTEN AGAIN if you missed out! Link below, and on-demand stream in stereo (as the downloads/podcast come from mono source) at FBi! I don't exactly want to do a full-on write-up this week. It's all old music. So, we start with the folktronica, for want of a better word. Two incredibly important albums came out in 2003: Four Tet's Rounds was already out when the station started, but The Books' equally important the lemon of pink had only been announced. I had their first album and knew Nick Zammuto from "the internet", so I wrote to Tom Steinle of Tomlab to ask if I could get a promo for my fledgling show on a fledgling station in Sydney. And about a month into this new show, it arrived, and lo, it was wondrous! We've heard from Opiate aka Thomas Knak only this year, but he did put out a legendary EP at least on the legendary Morr Music, and this takes us into the next favoured micro-genre for UFog, indietronica. Dntel's remix of his wonderful collaborator Mia Doi Todd was an old favourite (only ever released on 7" from what I recall), and of course his much-celebrated collaboration with Ben Gibbard as The Postal Service came out in 2003 as well. Back with Morr Music, Styrofoam released a stunning album which has long gone by the wayside, but please enjoy this track and let it segue into electronica's own king of shoegaze, Mr Ulrich Schnauss, with his 2nd album. Hard to genre-pigeonhole, but of a piece with all this digital trickery and melding of authenticity and artifice is the amazing Mr Matthew Herbert's Big Band. This album will never cease to be a wonder. But from there we get to the alt.hip-hop strains of anticon./Mush/Big Dada affiliates, many connected also with the indietronica artists we've been looking into. cLOUDDEAD were just disbanding as the show started, but the "Dead Dogs Two" single (I guess) allowed me to play one of Boards of Canada's rare but transcendent remixes. But both Hymie's Basement and Themselves share members with cLOUDDEAD. Hymie's is perhaps the start of the really catchy indiepop phase of WHY?, and here Themselves give me the opportunity to play one of the heroes of breakcore, the one and only Hrvatski: still recording as Keith Fullerton Whitman but having long discarded the painstaking beat programming. Mr. Mezzy aka 0=0 released hardly anything (he was slated for an album on Planet µ but it was never forthcoming), but every track he did release was incredible, including this hilarious Super Mario Brothers re-jig. And there's no way I could miss out on Venetian Snares. Meanwhile herv is one of those relatively obscure artists from across the world that I discovered and supported because he seemed to fit the weird mold of Utility Fog (this track kind of epitomises the joke genre "orchestral breakcore" that I slipped into the show description). While Plug would be my favourite drum'n'bass incarnation of Luke Vibert, he did release the Amen Andrews 12" series in 2003, and this Bulgarian choir-and-Captian Beefheart-sampling song is pretty ace! Oh, and look! 65daysofstatic! Here they are with their very first EP, which came out in 2003, and that's precisely when I started playing them, and playing them. They were played first on Australian radio right here, and it's likely that this airplay is what ended up getting them connected with the magnificent chaps at Bird's Robe, getting all their music released here and getting them touring here, as well as own own sleepmakeswaves touring with them overseas. Speaking, still, of drill'n'bass, what better than an Aphex Twin cover by the incomparable Bad Plus, who I've always been happy to play originals of as well (in fact their originals tend to be my favourites). A jazz piano trio in a class of their own - perhaps more of a typical jazz piano trio than Sydney's towering Necks, but still... something else! Finally, it's also wonderful to find one of my favourite musicians, violinist/singer/everythingist Carla Kihlstedt, releasing her first solo album in 2003. Again, she's not really electronic or liminal in the Utiltiy Fog sense, but she's fabulously gregarious and inhumanly talented, and I've never shied away from introducing my listeners to her art. So it goes. Tune in next week for more glorious sounds from the last decade... The Books - the lemon of pink [Tomlab] Listen again — ~105MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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