Utility FogYour weekly fix of postfolkrocktronica, dronenoise, power ambient, post-everything improv... and more? Sunday nights from 9 to 11pm on FBi Radio, 94.5 FM in Sydney, Australia. {Hey! Sign up to Utilityfoglet and get playlists emailed to you after each show!}
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Playlist 17.04.16 (9:06 pm)
Post-classical & weird improv-folk start things off tonight, with some minimal electronics and industrial techno later on! LISTEN AGAIN via the link below, subscribe to the podcast, or stream on demand at FBi. Experimental musician Frank Schültge is quite renowned for his challenging, experimental productions, sometimes quite folky or jazzy, sometimes more noisy. Collaborations are a big part of his work, including Sack Und Blumm with Harald "Sack" Ziegler, an album with David Grubbs, work with Andi Otto aka Springintgut and many other duos and groups. Dag Eins Tag Zwei is his third collaboration on Sonic Pieces with the rather ultra-famous Nils Frahm, and its character seems predominantly influenced by F.S. Blumm's playful folk & improv aesthetic - but Frahm's twinkly muted piano is very present too, and there are some soft, sweet mutations of jazz classics on this latest release too. I discovered Asheville, NC trio The Library of Babel via The Wire Magazine's Wire Tapper 40 (amazing that they're up to 40 volumes). They have a wonderful sound, the rounded but metallic sound of the acoustic guitar of Shane Parish offset by the deep double bass of Frank Meadows and often just as deep cello from Emmalee Hunnicutt, bass plucked more than bowed, cello bowed more than plucked. It's a kind of free Americana, with superb performances from all three musicians. Western Skies Motel, despite making a kind of Americana also, hails from Denmark. René Gonzàlez Schelbeck takes as a starting point the cyclical fingerstyle guitar of John Fahey or more likely James Blackshaw, but overlays shoegazey drones and shimmery shadowing effects. It's another beautiful release from Lost Tribe Sound, coming out later this week. Erik Schoster has been making experimental electronic music since 2002 as He Can Jog. He's featured a fair bit on this show, especially in the last half-year or so as he's started uploading a fair bit of very cool stuff to his Bandcamp. The West Allis Auto Body Co. EP features pieces recorded between 1998 and 2016, ranging from a live string quartet to glitchy choppy electronics. Chambers is a new duo from the Pacific Northwest, made up of Vancouver artist M.Red and Portland's Gabriel Mindel Salomon (now also based in Vancouver) of the sadly departed Yellow Swans. Satellites is their take on "dub", and ambient techno, through a tape haze. Perth's Kane Ikin found himself dropped right into international renown with the first release from his duo Solo Andata in 2006, and not hard to see why - the folktronic sounds, whether more ambient or propelled by gentle beats, are beautifully produced and musically sensitive. Kane struck out solo a few years later with a release on 12k (who had also released Solo Andata's second album), and gradually ambient gave way more to muffled or clanking techno & broken hip-hop/dub beats. Never less than lush and forward-thinking, his releases are not to be missed. Tom Smith appeared on the scene in 2007 as Cleptoclectics with a couple of glitch-hop inspired beat CDs. He changed his moniker to Thomas William and now Thomas William Smith in the interim, collaborating with Marcus Whale, and has recently released some more ambient & blunted techno stuff as T.Morimoto. On his own Bandcamp now comes a mixtape of material from 2011-2013, which he describes as representing no particular style or contemporary movement; hence Non Times. It does bear the hallmarks of Tom's productions, from the fidgety world music cut-ups of his earlier works to the buried orchestral samples in some of T.Morimoto. It's great. Finally, Brisbane's Pale Earth, a frequent visitor to these playlists, releases a limited lathe-cut 7" split with co-Brisvegans Golden Bats called By George, and by george if they aren't both George Harrison covers! Pale Earth's takes the already quite psychedelic "Blue Jay Way" into droney doom metal territory. F.S. Blumm & Nils Frahm - Day Two Three [Sonic Pieces] Listen again — ~189MB
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email: utilityfog at frogworth dot com bsky Mastodon Utility Fog teeters on the cusp between acoustic and electronic, organic and digital. Constantly changing and rearranging, this aural cloud of nanotech consumes genres and spits them out in new forms. Whether cataloguing the jungle resurgence, tracking the ups and downs of noise and drone, or unearthing the remnants of glitch and folktronica, all is contextualised within artist & genre histories for a fulfilling sonic journey. Since all these genre names are already pretty ridiculous, we thought we'd coin a new one. So "postfolkrocktronica" it is. Wear it. Now available: free "Live on Utility Fog" downloads! We got tasty rss2 or atom feeds - get Utility Fog playlists in your favourite RSS reader/aggregator. There's also a dedicated podcast feed. Click here to subscribe in iTunes. Archives of all previous playlists and entries are available:
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