Some big specials on Adelaide’s lovely Clue To Kalo and Iceland’s lovely Hildur Guðnadóttir among other loveliness!

LISTEN AGAIN to the seductive sounds. Stream on demand from FBi on mobile or at the office! Podcast right here…

So good to have new µ-Ziq in da house! Although I’d say some of it is pretty old µ-Ziq, especially the delightfully doleful & melodic second track I played, “Tambor”. For my money, not even Aphex Twin has quite his talent for the melodic.

Oh, speaking of which… new Aphex Twin! The album is coming real soon now, and we were just gifted with this first track, which I pretty much had to play in order to keep my radio license – followed by one of his most celebrated pieces of melody & wonky rhythms.

No doubt bearing a fair bit of an influence from Richard D James is an Englishman now based in Perth releasing music as Gravy Murphy. Nice hearing (sampled) live drums with acid synth lines.

Sydney indie/electronic band Bon Chat, Bon Rat put out a new album recently, with some nice ’80s-influenced pop songs on there, but also some great, most post-rocky instrumentals separated by little experimental electronic segues. I thought I’d drop us in on the second-last segue and play through the last two main tracks on the album. Recommended, check out their Bandcamp.

And then, staying in Australia, we found ourselves on a little trip through the works of Adelaide’s Mark Mitchell aka Clue To Kalo, aka http://www.cluetokalo.com/“>super science at the start of the 2000s. His early works were influenced by the idm of the time, but already featured his sweetly melodic vocals. Over the next few albums he transformed through “indietronica” into something more like live band music, although the laptop production never really went away. It’s nice to hear the electronic flourishes among the almost musical theatre-like songwriting and full band arrangements here. It’s his first self-released album and I hope it gets the recognition it deserves.

The rest of the show is a bit of an excursion into experimental strings. We start with Icelandic cellist Hildur Guðnadóttir, who’s just released her best album yet, Samar, on the Touch label. At times her strummed and lightly bowed cello is reminiscent of French cellist Colleen on her last two beautiful albums, but with more of the drone sensibility Guðnadóttir has honed in her work with other experimental artists like Ilpo Väisänen (of Pan Sonic) and Dirk Dresselhaus (Schneider TM) with their Angel project. The new Angel album features her quite heavily, especially on the glorious 20-minute opening track, plucked and droned cello merging into stentorian electronic tones…

A different take on strings and electronics comes from frequently-featured Dutch artist Michel Banabila‘s new album with his countryman Oene van Geel on viola. Some rhythmic bass throbbing is the closest we get to a beat, but mostly it’s ambient glitchscapes with occasional explosions, and at points surprisingly folky multi-tracked viola. Well worth lending your ear.

And finally, a surprising collaboration. Another noisenik, Gabriel Saloman (aka GMS, ex-Yellow Swans) has taken his psychedelic sound-painting into the world of classical composition lately. Apparently for this release, he & Peter Broderick spent some time preparing the initial samples that then formed the basis of their two sides. GMS’ side is one lone track, but Peter Broderick’s is a few (not that short) pieces, of which tonight’s also goes into the slight-dub territory of his recent collaboration with Greg Haines.

µ-Ziq – Taxi Sadness [Planet µ]
µ-Ziq – Tambor [Planet µ]
Aphex Twin – minipops 67 [120.2][source field mix] [Warp]
Aphex Twin – Alberto Balsalm [Warp]
Gravy Murphy – Mumps [Gravy Murphy Bandcamp]
Bon Chat, Bon Rat – // – Kartika – /// – Mara’s Daughters [Bon Chat, Bon Rat Bandcamp]
Clue To Kalo – The Men That They Make Us [Clue To Kalo]
super science – now which way to where? [Surgery Records]
super science – heart’s in my sneakers [Surgery Records]
Clue To Kalo – do you know that love can end? [Mush]
Clue To Kalo – Seconds When It’s Minutes [Mush]
Clue To Kalo – Of Him On Her Heels, By The Narrator [Popfrenzy]
Clue To Kalo – Time As A Turbine / Motives [Clue To Kalo]
Hildur Guðnadóttir – Heima [Touch]
Hildur Guðnadóttir – Í Hring [Touch]
Hildur Guðnadóttir – Liður [Touch]
Hauschka & Hildur Guðnadóttir – #283 [Sonic Pieces]
Angel – Naked Land (excerpt) (feat. Hildur Guðnadóttir) [Editions Mego]
Michel Banabila & Oene van Geel – Dondergod [Tapu]
Peter Broderick + Gabriel Saloman – Man Of The Streets [Beacon Sound]

Listen again — ~105MB

Good evening! This week we’re celebrating ELEVEN YEARS of FBi Radio, which is pretty amazeballs! But I’m just going to play more mostly new tunes because there’s so much good stuff around!

LISTEN AGAIN because you don’t get music like this just anywhere. The FBi site has the streaming on demand (mobile-ready!) and the podcast/download option is right here.

Started tonight with a couple of tracks from the Mystery Plays Singles Club, from which I’ve played at least the Icarus entry previously. These came out in July but I was away at the time. First is vintage Inch-time, with wonderful scraping double bass in the mix, and then Shoeb Ahmad‘s coda (of sorts) to his album on the same label, bearing no small influence from one of our shared favourite bands ever, Hood.

Also, I feel, wearing a bit of a Hood influence along with indiefolk, postrock and even shoegaze stylings is the second album from Newcastle’s Firekites. They haven’t changed their sound much from their first album, 6 years(!) ago, but this one’s drawing me a lot more from the outset. It’s one of the year’s Australian highlights I feel.

And so, on to Hood themselves. I chose a track at (carefully-selected) random from their back catalogue and then something new from the two brothers at the band’s core, Chris and Richard Adams. The lovely Richard’s main project is his band The Declining Winter, but with hammer dulcimer player Joel Hanson as well as members of Hood and The Declining Winter he has just released the second album of Memory Drawings – and, full disclosure, he asked me to play cello for a bonus track which opens the second disc of the first pressing.
That aside, it’s beautiful minimalist stuff on the main disc, and treated to some remixes and alternate versions on the bonus disc, including another Hood alumnus, A New Line (Related) aka Andrew Johnson.
Massively exciting for me is the return of Chris Adams’ Downpour alias. I’ve been hoping for a new Bracken album for years, but Downpour was my first love, before I even knew Hood, for the stunning proto-breakcore Windstorms Broken Microphones EP released in 1997. The new material seems to be Chris’s take on mid-’90s drum’n’bass with a bit of the dubstep influence the hung over the Bracken material – and it sounds like it’s his best-produced material as well. Amazing!

And then a great big special on Nick Zammuto, and his much-missed duo The Books. The new Zammuto album is just out now and getting well-deserved rave reviews. It’s a fair distance away from the laptop folk / glitch-classical / thingy-thing of the first couple of Books albums, but you could certainly hear most of this sound in even that material and certainly in later Books. He likes playing games with sound (and lyrics) and loves to intimately entwine his technology into his musical composition. But he also has an uncanny talent for gorgeous melody – see the wonderful Harlequin from the first Zammuto album, but I’m pretty sure a few of the newies will find their way into my subconscious like this one did.
And we had a re-tread of the Red Hot + Bach contribution from Nick’s onetime collaborator in The Books, cellist Paul de Jong, a spellbinding adaptation of the 1st prelude from The Well-Tempered Clavier featuring Mia Doi Todd on vocals. I have plenty of other solo stuff from Paul but it’s mostly very long tracks.

We finish up with something amazing that I exhort you to check out in full: Names is the project of Boston’s Brian C Barth and collaborators, and he’s had help from Nick Zammuto in mastering if nothing else. Fans of early (and recent) Grizzly Bear will love the songwriting and singing, but it’s also incredibly creative in terms of production and instrumentation, sub-bass pulses mixing with heaving cello lines, weird, impeccably-orchestrated horn stabs and occasionally-glitched-up guitars. Barth’s music is one of my happiest discoveries of late. Please follow my lead.

Inch-time – Omaha Gold [Mystery Plays Records]
Shoeb Ahmad – Horses (A Coda) [Mystery Plays Records]
Firekites – Somewhere Bright First [Spunk]
Firekites – Same Suburb, Different Park [Spunk]
Firekites – Closing Forever Sky [Spunk]
Hood – Home Is Where It Hurts [Domino]
Memory Drawings – Golden Afternoon [Hibernate]
Memory Drawings – In the House at Midnight by A New Line (Related) [Hibernate]
Downpour – Do you remember when it was all about the drums? [Downpour Bandcamp]
Zammuto – Sinker [Temporary Residence]
The Books – motherless bastard [Tomlab]
The Books – the lemon of pink [Tomlab]
The Books – there is no there [Tomlab]
The Books – vogt dig for kloppervok [Tomlab/Temporary Residence]
Zammuto – Harlequin [Temporary Residence]
Zammuto – Need Some Sun [Temporary Residence]
Paul de Jong – Number Man (feat. Mia Doi Todd) [Red Hot] {based on the well-known 1st Prelude in C from the Well-Tempered Clavier by JS Bach as adaped by Charles Gounod}
Names – The Rule [Names Bandcamp]
Names – Night Tide [Names Bandcamp]
Names – Moonshiner [Names Bandcamp]
Names – The Long and Short of It [Names Bandcamp]

Listen again — ~102MB

Big chat with Lawrence English tonight about his new album, Room40 etc. And some great new sounds from UK, the Netherlands, the USA…

LISTEN AGAIN via the link at the bottom, or subscribe to the podcast, or stream it on demand from FBi! Also please note, Utility Fog is now repeated on FBi’s wonderful digital station FBi Click at 6am and 6pm Mondays.

You can also enjoy the interview with Lawrence English on its own: many fascinating words of wisdom and some beautiful music! Download here.

We had two takes from the amazing new album from Kevin Martin aka The Bug, one from each side as it’s strutured as Angels & Devils. Liz Harris of Grouper contributes an amazing vocal to a beautiful track, and Flowdan can be relied upon for the heaviest hitters, here joined by longtime Kevin Martin collaborator Justin K Broadrick on guitar riffage.

I finally got into clipping. while I was travelling, and their brand of noise/glitch-hop is very welcome. Lots of dirty words but a great flow and less aggression than, say, Death Grips.

Then a great big interview with Lawrence English, a conversation spanning lots of topics, and a short overview of his fantastic recording career… So much more that I could’ve played, ranging from Tim Hecker-like cracklescapes to field recordings, to collaborations with indie & electronic artists…

A bunch of new things next from fellow drone/experimental music traveller Machinefabriek. First up his amazing trio Shivers, released on the mighty Miasmah, with Gareth Davis on clarinet (don’t let this mislead you – it’s often an imposing and immense presence!) and Leo Fabriek on drums. And after something from one of the many solo releases he’s always releasing, we heard a beautiful glitchy ambient remix of ultra-famous duduk player Djivan Gasparyan, courtesy of the classic ambient label All Saints Records who are having a bit of a resurgence and released a fantastic double-CD compilation of back catalogue and contemporary remixes. I coulda/shoulda played Roger Eno, Harold Budd and so many others, but I found this excellent piece of funky electronica from Brian Eno from the early ’90s which floated my boat (and I’m very agnostic about Eno’s music, so this is a good thing), and the Bee Mask remix of Laraaji is a superb mix of past & present.

The Bug – Void feat. Liz Harris [Ninja Tune]
The Bug – Fat Mac feat. Flowdan & JK Flesh [Ninja Tune]
clipping. – taking off [Sub Pop]
clipping. – real (feat. ezra buchla) [clipping. bandcamp]
clipping. – overpass (skit) [clipping. bandcamp]
clipping. – work work (feat. cocc pistol cree) [Sub Pop]
Lawrence English – Wilderness of Mirrors [Room40]
…interview with Lawrence English…
Lawrence English – Oamura [Touch]
Lawrence English – Forgiving Noir / Graceless Hunter / Hapless Gatherer [Room40]
Object – Horizon [Quatermass]
Lawrence English – Droplet [12k]
Shivers – Rabid [Miasmah]
Shivers – Brood [Miasmah]
Machinefabriek – (Chinstrap) [Machinefabriek]
Djivan Gasparyan – Moon Shines At Night (Machinefabriek version) [All Saints Records]
Brian Eno – What Actually Happened? [All Saints Records]
Laraaji – A Cave In England (Bee Mask version) [All Saints Records]

Listen again — ~106MB

Back from my long jaunt overseas, playing some really cool gigs and holidaying in Europe… and buying truckloads of CDs. I seem to have hurt my hand from carrying so many heavy suitcases & bags. That must be it, yes.

Tonight we have the wondrous & mysterious (but gradually also more pop) Grumbling Fur aka Daniel O’Sullivan and Alexander Tucker, with a new album via online music mag and now label The Quietus Phonographic Corporation… So, a bit of a retrospective on their work.

Then we have some tunes from brilliant Scottish composer/producer Matthew Collings, whose UFog favourite from last year has been reissued by Denovali along with a new album cementing his avant-garde classical meets electronic post-rock production.

We then move into even more of a contemporary classical composition world with Polish producer Jacaszek & his compatriots Kwartludium, a classical ensemble consisting of violin, clarniet, percussion and piano. Their album on Touch mixes crackly electronics and field recordings with flickers of acoustic instruments and clarinet drones (the latter of which recalls similar instrumentation from Matthew Collings).

In keeping with the “classical” theme, where better to go than the Red Hot + Bach compilation from a month or two ago? We have the one and only Paul de Jong, once cellist in The Books, with a piece featuring Mia Doi Todd and based on Bach’s first Prelude in C from The Well-Tempered Clavier, made particularly famous via Charles Gounod’s adaptation as “Ave Maria” – the vocal melody is Gounod’s. We hear that vocal performed by opera star Pia Ercole in the version by, er, King Britt Presents Fhloston Paradigm, known on his new stuff for Hyperdub just as Fhloston Paradigm. Although it is on his album, I took the next track from the Hyperdub 10.2 compilation, the label’s second 10th birthday comp, this one focused on “pop” music, all with vocals, and the collaborator here is Rachel Claudio, taking it into a very subdued trip-hop kind of territory. Very nice.

Less subdued (although not always!) are Killing Sound, members of Bristol bass/techno/etc collective Young echo, who put out an amazing 12″ (only) of post-dubstep sounds on Blackest Ever Black earlier this year and have followed it up with a storming one-sided techstep drum’n’bass reworking of one of those tracks. Vinyl-only makes this boy sad though :(

Nearly finishing up, electro-acoustic drum’n’bass duo Icarus released a new track while I was away, inaugurating London-based ex-pat Aussie label Mystery Plays‘ “Singles Club”. Many other awesome artists are involved and I’ll be playing some over the coming weeks.

But I couldn’t go out without playing one short track from the debut album from Blue Mountains chap 0point1, kindly released by the ever-awesome Feral Media. Ever questing between genres of glitch, drill’n’bass, expansive post-rock and who knows what else, 0point1’s sound flows very nicely from Icarus and finishes up just a little bit over into poor Alexander Tullett’s brilliant Close To The Edge.

As usual, please LISTEN AGAIN — you got yer link right in this post, yer podcast subscription or glorious streaming on demand at FBi.

Grumbling Fur – Neil Megson Fanclub [The Quietus Phonographic Corporation]
Grumbling Fur – Secrets of the Earth [The Quietus Phonographic Corporation]
Grumbling Fur – Green Garden Fur / Sommaren Är Här / Orb Of The Woods [Aurora Borealis]
Grumbling Fur – Huthering Whites [Latitudes]
Grumbling Fur – Eyoreseye [Thrill Jockey]
Grumbling Fur – Materials Recording the Fibres of Time [The Quietus Phonographic Corporation]
Grumbling Fur – Pluriforms [The Quietus Phonographic Corporation]
Matthew Collings – Stills / Everything You Love Will End Up On The Breeze [Denovali]
Matthew Collings – Paris Is Burning [Denovali reissue originally on Fluid Audio]
Matthew Collings – Toms [Denovali]
Jacaszek & Kwartludium – A book of lake (Roselière) [Touch]
Jacaszek & Kwartludium – Anthem (La forêt) [Touch]
Paul de Jong – Number Man (feat. Mia Doi Todd) [Red Hot] {based on the well-known 1st Prelude in C from the Well-Tempered Clavier by JS Bach as adaped by Charles Gounod}
King Britt Presents Fhloston Paradigm – Ave Maria feat. Pia Ercole [Red Hot] {also based on that Gounod adaption}
Fhloston Paradigm – Never Defeated, feat Rachel Claudio [Hyperdub]
Killing Sound – Thousand Hands [Blackest Ever Black]
Killing Sound – $ixxx Harmonie$ Version [Blackest Ever Black]
Icarus – Collectable Woodland Creatures Armed With Heavy Weaponry [Mystery Plays]
0point1 – Eggborn [Feral Media]

Listen again — ~107MB