Evening. Technical difficulties, love ’em!
LISTEN AGAIN via the link at the bottom or podcast feed, or stream On Demand…

Technical difficulties meant I changed the start of the show, and we heard two beautiful tracks from Jace Clayton aka DJ /rupture‘s resurrected band project Nettle, bizarrely creating a soundtrack to an imagined reworking of Stanley Kubrick’s The Shining in an abandoned hotel in Dubai. Vocals and strings meld with electronic noises, and it’s very evocative.

Then we get to my intended opening track, from Sole, who’s just released a pay-what-you-like (potentially free) download comp of tracks about economic issues called Dispatches From the American Fall. He’s been quite involved with #OccupyDenver, and is definitely worth following on Twitter.

His track was based on Salem‘s witch house tune King Night from last year, one of the opening salvos for the Tri-Angle label. We followed that with something amazingly insane from Water Borders, the latest Tri-Angle release, which is like ’80s post-punk and new romantic through a contemporary Bass filter. Only odder than that.

Nice to have a new album from Oneohtrix Point Never. He continues the path set by last year’s Returnal, away from pure nostalgic analogue synth workouts, into cut-up samples (recalling Boards of Canada and of course early hip-hop), sensitive piano, and some glitchy production. It’s awesome.

Tokyo’s NEON CLOUD are here at the start of tonight’s dubstep mini-set, but really they’re also representing a version of “witch house”, as their polygonal song titles will attest. Their EP is available FREE from flau’s Bandcamp, and it’s very lovely; female vocals, post-dubstep beats.

On the remix album for Kevin Martin (aka The Bug)’s King Midas Sound project, the amazing Japanese vocalist/artist Kiki Hitomi lends her voice to one track, and then later on the legendary Green Gartside graces “Come And Behold” with his vocal cords – stunning.

And next up, two cuts from the first compilation of dubstep reworkings from the Greensleeves label’s extensive dancehall back catalogue. Many of the ragga jungle anthems from back in the day came from Greensleeves, so it’s only appropriate to hear these dubstep remixes. Some of the more familiar, more melodic tunes don’t fare too well, but here we have a couple of pretty tough numbers that work a treat. In particular Yellowman‘s crazy “Zungguzungguguzungguzeng” gets a garage bounce and heavy bottom end from Horsepower Productions, and then The Bug enlists frequent collaborator Flow Dan to add some verses over Ding Dong‘s “Badman Forward Badman Pull Up”.

And in a different dubstep direction altogether, the very heavy industrial sound of UK’s Cloaks has now been remixed by a slew of sympathetic artists. From Latvia, Oyaarss brings a lot more melody to the fore, as we can see from a reminder of their original 2009 album… Meanwhile, Justin K Broadrick, who we haven’t heard enough of this year, appears here as JK Flesh, adding pounding heavy riffs with a dubstep anchor – amazing.

A few years ago I was floored by an album from Melbourne noise/drone/postrock artist Mirrored Silver Sea. Now based in Toronto, Tim Condon has formed a new band, and the first outing from Fresh Snow is an epic krautrock jam. Let’s hope there’s more just around the corner!

Another welcome return is from Chris Adams, he of Bracken and Hood fame, one of my favourite musicians ever, let it be said. He’s teamed up with another ex-Hood member, Andrew Johnson. On leaving Hood, Andrew and Craig Tattersal formed indietronica duo The Famous Boyfriend, and then morphed into incredible (mostly instrumental) electronica as The Remote Viewer. For many years they ran the moteer label, putting out perfect Utility Fog music.
Chris and Andrew are putting out a series of three 7″s as On Fell, which I hope will be collected on CD or something. The four tracks so far available traverse indie songwriting, crunchy electronica, and pitch-bending shoegaze. WANT MORE.

Telafonica keep the indietronica flag flying here in Sydney, and on their latest remix single they’ve enlisted Joe Hardy, impressario behind The Gate, who are dedicated to bringing fantastic live gigs to Sydney’s north-west. His take on the song is a slow-burning crescendo, absolutely lovely.

And another deep and dark number from Luke Killen, of Sydney’s sadly-defunct Couchblip!.

We heard one track off the new EP from Roel Funcken of Funckarma, in unusually pensive mode. Love the rhythmic edits and bass.

Every few years it’s time for a new Gescom EP, and this time they seem to be launching a hip-hop subsiduary of SKAM called Skull Snap. I could be reading this wrong though. It can’t be a coincdence that the much-sampled funk group Skull Snaps have just had their EP/album re-released…
As usual, Gescom (which is usually at least part Autechre) are somewhat inscrutable, but the beats are far more dancefloor-friendly — for certain definitions of dancefloor.

And once again we have an outburst from Sydney maverick Simo Soo, here aided and abetted by Hinterlandt, with guitar riffs amplifying the Beastie Boys effect…

For the latest My Brightest Diamond album, Shara Worden is joined by contemporary music ensemble yMusic, who lend classical and jazz aspects to Worden’s complex and beautiful songs. She’s an accomplished writer, and the new album has more than its fair share of genuinely moving moments, among its delightful quirks.
I wanted an opportunity to revisit Son Lux‘s album of earlier this year, and took us there via his brilliant remix of MBD’s “Inside a Boy” from last year…

Final special of the night is from Nils Frahm, who mutes his piano (hence Felt) on his new album, closely recording it to capture every breath, finger tap and hammer hit. The piano’s mechanisms add a percussive element, and the half-stopped sound of the piano strings is magical, but it would all be gimmick without his gorgeous compositions. Nils is a master, and you need this to float away to on rainy afternoons (or sunny mornings, or late at night). He’s not averse to studio effects either, drifting here and there into his friend Machinefabriek‘s sonic territory.

The art of umin, on the other hand, is based almost entirely around studio trickery. His ukulele is chopped up and pitch-shifted, so that his compositions turn into complex jittery waves of sound. Reminiscent of mid-’00s Four Tet and The Books, albeit with the limited palette of the ukulele, this is fascinating listening. More next week!

Nettle – El Resplendador [Sub Rosa]
Nettle – Radio Flower [Sub Rosa]
Sole – Fuck Wells Fargo (feat. B. Dolan & Mac Lethal) [available from Bandcamp] {pay what you want}
Salem – King Night [Tri-Angle]
Water Borders – Feasting on Mongeese [Tri-Angle]
Oneohtrix Point Never – Nassau [Software Label]
Oneohtrix Point Never – Replica [Software Label]
NEON CLOUD – ▴ [flau] {free from Bandcamp!}
King Midas Sound – Tears (Kiki Hitomi Revoice) [Hyperdub]
King Midas Sound – Come And Behold (Green Gartside Revoice) [Hyperdub]
NEON CLOUD – ▫ [flau] {free from Bandcamp!}
Yellowman – Zungguzungguguzungguzeng (Horsepower Remix) [Greensleeves]
Ding Dong – Badman Forward Badman Pull Up (The Bug feat Flow Dan Remix) [Greensleeves]
Cloaks – Sixmenace Two (Oyaarss remix) [3by3]
Cloaks – Against [3by3]
Cloaks – Rush On Metal (JK Flesh remix) [3by3]
Fresh Snow – Saturation Complete [available from SoundCloud]
on fell – untitled a, from 2nd 7″ [moteer]
on fell – untitled b, from 1st 7″ [moteer]
Telafonica – Heartbeatings For Those With Heartbeats (Joe Hardy Version) [available from Bandcamp]
Luke Killen – Scamper Ashore [available from SoundCloud]
Roel Funcken – Eason DAvy [Funckarma shop]
Gescom – Seventh Ace Deuce [Skull Snap]
Simo Soo – Breakfast (Hinterlandt remix) [free download from Mediafire]
My Brightest Diamond – We Added It Up [Asthmatic Kitty]
My Brightest Diamond – Inside A Boy (Son Lux remix) [Asthmatic Kitty]
Son Lux – Leave The Riches [anticon.]
My Brightest Diamond – In The Beginning [Asthmatic Kitty]
Nils Frahm – Familiar [Erased Tapes]
Nils Frahm – More [Erased Tapes]
umin – hmn [Abandom Building Records]
Nils Frahm – Keep [Erased Tapes]

Listen again — ~ 163MB

Good evening, you. Love you. That’s why I love playing you music. Hope you don’t find that creepy.
Another evening of too much stuff tonight! Amazing sounds from China, Dntel reissue, and so much more…
LISTEN AGAIN via the usual link at the usual bottom, the usual podcast, the usual FBi On Demand…

We start with the lovely electronic noise and periodical strings of Roly Porter, who was one half of industrial dubstep pioneers Vex’d. He keeps the bass and noise here but mostly rejects the beats in favour of swelling drones and more abstract strutures. It’s pretty awesome.

Very exciting that finally Spartak‘s edits from their Japanese tour are available as Nippon. Brilliant Aussie post-rock/post-jazz/electronic sounds.

After a good few singles, dubstep chanteuse Emika is finally releasing her album. The singles features some pretty central dubstep names remixing her, such as Pinch. The album mostly keeps with the dubstep influence, although it’s not as heavy as the various (male) remixers tend to make it. And that’s stuff’s great but it’s lovely to hear another side of her shine through on the very classical solo piano closing track.

Canadian drone maestro Tim Hecker has been messing around with the piano lately, and it’s a very effective addition to his fizzling Fennesz-style drones and ambience. His second album for the year presents “sketches” for Ravedeath, 1972, which to my ear sound just as well-formed and fully-produced as anything off the album proper.

Next up, we dive into a big loving special on the music of Dntel, aka Jimmy Tamborello, aka half of The Postal Service and so much more. I didn’t even approach his work as James Figurine, or his many remixes, because mainly I’m celebrating Sub Pop beautiful ten-year anniversary reissue of his indietronic classic Life is Full of Possibilities, with an excellent remaster and a swag of additional tracks. I also revisited a couple of old favourites — the compilation track that introduced him to me earlier in 2001, and a track from a split 7″ which has still not been re-issued or compiled anywhere else.

And lest we presume that indietronic started around 2001 with this release, we head back to 1992 with one of the early singles of the iconoclastic Disco Inferno, whose 5 EPs have just been (re-)collected One Little Indian. Theirs is a bewildering sound, crammed full of angular, odd samples and affecting, mopey indie songwriting. Big influence on one of my favourite bands of all time, Hood.

Sydney electronic-punk artist Simo Soo has just released a remix collection as companion to his new album. I find his shouty, brash sound a little hard to take, but he’s always working with fantastic people, and the remixers here are top class. Nakagin takes him into floaty post-r’n’b territory, while Anonymeye is uncategorisable (in a good way).

And then it’s time to head to China, courtesy of Tenzenmen. Shaun Tenzenmen has been instrumental in bringing many Chinese artists over here, and even more of their music. This batch includes some absolutely incredible folk/folk-rock. These bands are, I believe, well-established in their home country, and while the music wears its Western influences on its sleeves, it’s unfailingly creative and idiosyncratic.
Low Wormwood and Traveler both have a classic folk rock sound, albeit with Chinese musical elements and of course Chinese lyrics. Meanwhile, Low Wormwood singer Liu Kun‘s solo album is a dazzling trip, with folk songs as its base, but with scraping viola solos a la John Cale, buzzing noise a la The For Carnation, occasional electronic beats and distorted noise. All this, and fantastic songwriting too (for all three). I only wish I could understand the lyrics.

Before a reprise of Simon Scott‘s album which I rather brashly declared “album of the year” last week (I’m sure it’ll stand as *one of* them…), we had to hear two beautiful scintillating tracks from Sweden’s Ohayo, a collaboration between Ass and Tape, sounding exactly like a combination of those two acts — minimal, poised postrock.

Roly Porter – Tleilax [Subtext]
Spartak – Rail Star Mode [New Weird Australia]
Roly Porter – Corrin [Subtext]
Emika – Double Edge (Pinch remix) [Ninja Tune]
Emika – Count Backwards [Ninja Tune]
Emika – Credit Theme [Ninja Tune]
Tim Hecker – Sketch 1 [Kranky]
Tim Hecker – In The Air 1 [Kranky]
Tim Hecker – The Piano Drop [Kranky]
Tim Hecker – Sketch 9 [Kranky]
Dntel – Anywhere Anyone (feat. Mia Doi Todd) (Pearson Sound Beatless Reduction) [Sub Pop (originally Plug Research]
Dntel – If I Don’t Return [dublab/Emperor Norton]
Dntel – This Is How It Will Be All Over [Sub Pop (originally Plug Research]
Dntel – Suddenly Is Sooner Than You Think (feat. Meredith Figurine) [Sub Pop (originally Plug Research]
Dntel – Sorry_ [Sub Pop]
Dntel – don’t get your hopes up [Rocket Racer]
The Postal Service – We Will Become Sillhouettes [Sub Pop]
Disco Inferno – Love Stepping Out [One Little Indian]
Simo Soo – Breakfast (Nakagin remix) [original on Lesstalk. Download remix album free here]
Simo Soo – Shannyn Sossamon vs KISS Army (Anonymeye-Was Made For Loving You remix) [original on Lesstalk. Download remix album free here]
Low Wormwood – February / The Sketch And The Light [Tenzenmen/buy from Bandcamp]
Liu Kun – Nothing [Tenzenmen/buy from Bandcamp]
Liu Kun – Don’t Wake Her Up [Tenzenmen/buy from Bandcamp]
Traveler – Fire of Desire [Tenzenmen/buy from Bandcamp]
Low Wormwood – Mahatma [Tenzenmen/buy from Bandcamp]
Liu Kun – Where Do You Place Your Soul? [Tenzenmen/buy from Bandcamp]
Ohayo – Again Soon After Sunset [Häpna]
Ohayo – Shadowed by Trees [Häpna]
Simon Scott – Drilla [Miasmah]

Listen again — ~ 155MB

Tonight’s the lost-voice edition of UFog. See if you can make out the words…
LISTEN AGAIN, to wonderful sounds, music unbound. Link at the bottom, podcast and of course On Demand.

Ex-Slowdive drummer Simon Scott has delivered what I’m thinking right now is album of the year. Well, one of. Wonderful textures, moving from drone to full band to noise to shoegaze… I played FOUR tracks tonight, and every one got at least one response from a listener.

We had many visitors from Japan tonight: Minamo‘s beautiful acoustic drone, Cokiyu‘s glitchy songwriting, Kashiwa Daisuke bringing the drill’n’bass back to his post-classical piano with vocals and piano from Piana, and world’s end girlfriend taking it all hardcore in between his dreamy post-classical electronics.
In between, on the lovely Tokyo label flau, is French pianist Jean-Philippe Collard-Neven with a delightful bit of jazzy post-classicism.

William Ryan Fritch, he of Vieo Abiungo and SkyRider, has a new album of his world beat sounds out via his Bandcamp – except it’s not new, it’s an unreleased gem from 2006. More vocals, a bit more studio editing, but very recognizably him.

A year and a bit ago, the lovely Danny Jumpertz of Feral Media hope on a plane with his family on the back of a Green Card Lottery win, to relocate to New York for a while. His Alpen album had already been shelved for the birth of his son, so it’s taken a good 4 years to arrive. A dub influence is always there in the electronically-edited (kraut)rock. Great stuff…

I had to feature a couple more tracks from Leah Kardos tonight. Her music made a big impact last week, so hopefully a few more fans after tonight.

Modeselektor‘s new album is a lot of fun, and notable for the various collaborators. There are two tracks with Thom Yorke, and I feel this minimal, pulsating one is the better. Also in collaboration are PVT, with thick synth lines and a very ’80s pop vocal from Richie Pike — a big success, this one. And finally, everybody’s favourite weird-hop madman Busdriver is a perfect fit for the demented German technoists.

In between, another cut from Julianna Barwick‘s remix EP. Here Prizewinning, with its signature bassline, gets added afro-percussion and edits from Alias Pail — it works remarkably well.

Speaking of aliases, Alias‘s new album has been a bit of a disappointment after his incredible production efforts on other people’s albums lately, particularly with B.Dolan. But the cut I played tonight is real head-nodding quality, female vocal sample and a great beat.

Carla Kihlstedt, Matthias Bossi & Shahzad Ismaily put out a semi(?)-improv album a little while ago called Causing a Tiger, and now are a trio under that name. Discovering that they work best outside of their comfort zone, Kihlstedt dropped the violin/viola from this lineup, concentrating mainly on vocals. Bossi plays drums and Ismaily guitar, and they have a fantastically raw sound from the preview tracks here. The full album is released soon, and I’m looking forward to it.

Another excellent discovery this week in the liminal area between drone, rock, country and Somewhere Else is Newcastle’s Mark Whittaker aka Frederick. His music is as lo-fi as all get out, and deliberately so. Tracks are often mixed in harsh stereo, effects over everything, and songs come into focus out of murk. Just as we like it here at Utility Fog Towers.

Somewhere in there we had the relentless 4/4 beat of Four Tet‘s latest house number, “Pyramid”. But with his gentle vocal cut-ups and background hum, he manages to win me over.

I also have to keep slipping in tracks from the new pimmon album The Oansome Orbit. Perhaps along with Tom Hall‘s Muted Angels it’s my pick for best Australian album this year.

Two albums to finish off that I haven’t had a chance to digest properly yet.
Dntel‘s seminal Life is Full of Possibilities has been re-released in deluxe format, remastered with a bonus disc of b-sides and extras. Even though I have most of these tracks, I’m rapt in this — the remaster is stunning, and they’ve packaged it very nicely. Compulsory, peeps! More raving about it next week. One of my favourite albums of all time.

And Tom Waits of course has a new album out, and it’s genius. I got the 2CD deluxe edition, in a hardcover book with all the lyrics, plus a (short) bonus disc. The third bonus track is vintage Tom, his bent rendition of trad blues perfectly interpreted by his band and his, er, uniquely expressive voice.

Simon Scott – Radiances [Miasmah]
Minamo – Paperweight [Room40]
Simon Scott – AC Waters [Miasmah]
Cokiyu – Gloomy [flau]
Kashiwa Daisuke – Sky Liner [noble]
Cokiyu – Textured Clouds [flau]
Jean-Philippe Collard-Neven – Gus [flau]
world’s end girlfriend – R.I.P. [noble]
William Ryan Fritch – teeth of marrow, bones that resound [available from Bandcamp]
William Ryan Fritch – The plastic won’t remember [available from Bandcamp]
Alpen – A Meditation on Flight [Feral Media]
Alpen – Returning to the Blue [Feral Media]
Leah Kardos – Remnant 1 [available from her Bandcamp]
Modeselektor – This (with Thom Yorke) [Monkeytown]
Julianna Barwick – Prizewinning (Alias Pail remix) [available from Bandcamp]
Modeselektor – Green Light Go (with PVT) [Monkeytown]
Alias – Lady Lambin’ [Anticon]
Modeselektor – Pretentious Friends (feat. Busdriver) [Monkeytown]
Causing a Tiger (Carla Kihlstedt, Matthias Bossi & Shahzad Ismaily) – Sealed Orders [pre-order from Bandcamp]
Frederick – Take to the Highways [demo – find tracks on Bandcamp]
Simon Scott – Black Western Lights [Miasmah]
Frederick – Three [demo – find tracks on Bandcamp]
Simon Scott – Betty [Miasmah]
Four Tet – Pyramid [Text]
Leah Kardos – Dura Mater [available from her Bandcamp]
pimmon – shadow catch you tiring [Room40]
Dntel – Anywhere Anyone (feat. Mia Doi Todd) [Sub Pop]
Tom Waits – After You Die [ANTI-]

Listen again — ~ 154MB

Strings, remixes, piano, folk-and-tronica, all featured tonight…
The usual LISTEN AGAINage available, see bottom of playlist, On Demand, podcast.

Sydney’s Charge Group play indie music with a violin leading them into the frey. It’s a mix of folk and indie rock, and it’s only appropriate that they have some lovely ambient remixes on their new single (along with a couple of bizarrely clubby ones).
And Seaworthy always brings a tremendous sensitivity to his remixes. Beautiful work.

Speaking of indie strings, we’ve heard plenty of Melbourne’s Wintercoats on this show, and here’s another pretty tune from his new 12″ on Mistletone.

Here’s an interesting team-up: Prepared piano maestro Hauschka working with ambient/postrock cellist Hildur Guðnadóttir. What they’ve created together is a hybrid of their sounds which is more experimental than the standard (wonderful) post-classical sounds of Hauschka, but perhaps more structured than Hildur Guðnadóttir’s usual work. In any case, it’s music with depth and magic to it. And the packaging, as always with Sonic Pieces, is stunning.

Leah Kardos is the most exciting discovery of the week. Once from Australia, she’s now based in the UK, and when recording under her own name she makes subtle glitchy piano-based music. Ambient piano, jazzy rhythmic piano with glitchy beats, minimalist chopped-up piano, it’s all in there. Highly recommended, for only £5 from her Bandcamp.

You might have noticed Björk has a new album out… Last week I played “Mutual Core” with hardcore eruptions suitable to the volcano theme from 16bit. Tonight’s track, “Sacrifice”, features some more heavy beats, from drum’n’bass producer Current Value.

And while we’re hangin’ with the blockbuster artists, let’s hear from Radiohead, whose remix EPs I picked up along the way, but they’ve just released the lot as a 2CD set. The Caribou remix was a delight from the start – sparkly harpsichord-like sounds and a head-nodding beat. This mixed in nicely with the other head-nodding genius remix, from Berlin’s Objekt. And after a quick detour with The Bug‘s remix of Thom Yorke from 2007, we heard the stunningly evocative and murky Harmonic 313 remix.

Nick Zammuto‘s on a roll at the moment with his new solo project. Last week he dropped two new tracks, both excellent. I’m still in love with last week’s “Harlequin”, but this one is an energetic move in yet another new direction.

Speaking of energetic, UK audiovisual duo Sculpture do a nice turn in live sample-based drill’n’bass here, courtesy of the latest digital compilation from The Wire. I’ll have to pick up their latest album, even though it’s vinyl only (and it does look like a stunning package).

Thomas William has always made somewhat frenetic and discombobulating sample-based music which… what’s that? You’ve never heard of him? Well that’s because it’s the new moniker for Sydney’s glitch-hop fave Cleptoclectics. He has a new album coming out in a month or so from Melbourne label This Thing, and it’s ace.

The interestingly-spelled Fabels are a Sydney shoegaze duo featuring Hiske Weijers of Psychic Date and Ben Aylward of beloved ’90s indie shoegazers Swirl. Vintage stuff, with a contemporary twist. They’re launching their debut EP at the Lansdowne next Sunday (23rd of Oct), so head down there before listening to next weeks’s ‘Fog :)

Back with Charge Group, we heard the single “Run”, which moves from folky violin patters into shouty indie rock and back, while their own (I guess?) remix is if anything even more ambient than Seaworthy’s!

From Flaming Pines‘ fantastic 10×3″CD project Rivers Home, tonight we heard the evocative field recordings and guitar of Broken Chip, from the Blue Mountains.

And back with the Wire Magazine compilation, Espers‘ Meg Baird gives us a timeless folk guitar song. Another one straight on the “to buy” list.

I’m very excited about the new Origamibiro album — out on CD any minute now. It’s the best folktronic stuff I’ve heard in a good while. To preview the album they released a free download remix EP, and one of the remix artists was Juxta Phona. I hadn’t heard of them before, but quickly discovered it’s either an alias for Jason Corder of offthesky or a group he’s part of.
I played a track from offthesky’s Home Normal album tonight, glitchy guitar and submerged 4/4 beat.
But in the meantime I went in search of Juxta Phona, and found an album that offthesky and Juxta Phona did together (whatever that means, given the overlap) called !escape kit!. Now that I’ve received the CD, the packaging is as beautiful and detailed as the music. It’s a bit folktronic, a bit jazzy postrock, and altogether excellent.

Interspersed, we had a couple more tracks from Spartak‘s brilliant new album, recorded live in Japan (although you couldn’t tell it’s a live album), and we finished with a new remix, hot off the press, of Underlapper by FBi’s own Loopsnake.

Charge Group – The Gold is Gone (Seaworthy remix) [Microphone & Loudspeaker]
Wintercoats – Forest of Lovers [Mistletone]
Hauschka & Hildur Guðnadóttir – #283 [Sonic Pieces]
Leah Kardos – Apology [available from her Bandcamp]
Leah Kardos – Remnant 2 [available from her Bandcamp]
Hauschka & Hildur Guðnadóttir – #320 [Sonic Pieces]
Leah Kardos – Repeater [available from her Bandcamp]
Björk – Sacrifice [One Little Indian]
Radiohead – Little By Little (Caribou Rmx) [Ticker Tape/XL Recordings]
Radiohead – Bloom (Objekt Rmx) [Ticker Tape/XL Recordings]
Thom Yorke – Harrowdown Hill (The Bug Remix) [XL Recordings]
Radiohead – Bloom (Harmonic 313 Rmx) [Ticker Tape/XL Recordings]
Zammuto – Weird Ceiling (working version) [SoundCloud]
Sculpture – Bonus Level (Live) [Dekorder] {via Wire Mag}
Thomas William – By Proxy [This Thing] {forthcoming}
Thomas William – History Shock [This Thing] {forthcoming}
Fabels – Clotheslines [Rabbit Releases]
Charge Group – Run [Microphone & Loudspeaker]
Charge Group – Run (Buckminster’s Dystopic Remix) [Microphone & Loudspeaker]
Broken Chip – Cox’s River [Flaming Pines]
Meg Baird – The Land Turned Over [Drag City] {via Wire Mag}
offthesky – Little Subtle Secret [Home Normal]
Origamibiro – Quad Time (Juxta Phona Remix) [Denizen/Abandon Building Recordings] {free download remix EP}
offthesky & juxta phona – dark matters [available from Bandcamp]
Spartak – Snowflake Reception (Close) [New Weird Australia]
offthesky & juxta phona – trust & roulette [available from Bandcamp]
Spartak – Wire + Water [New Weird Australia]
Underlapper – These Six Skeletons (Loopsnake Remix) [Feral Media]

Listen again — ~ 156MB