Epic interview with my friends Sub Bass Snarl, who taught me a lot about electronic music in the mid-’90s, and are playing their “final ever show” on Friday the 21st of October (tickets here), as well as a not-so-secret afternoon picnic event next Saturday, the 15th of October at Sydney Park.
LISTEN AGAIN as usual. Link at bottom, podcast, FBi On Demand.

Tribute to the late Bert Jansch to start tonight… Was very sad to hear he’d passed away from cancer earlier this week. I played a fantastic song from Pentangle from 1969, with his stellar guitar playing and interplay between his vocals and Jacqui McShee’s.

Then on to another new song released by Nick Zammuto, still sounding like his Books work, but extended in a particular direction. The shimmery vocals on this track have a spine-chilling moment about halfway through. Best track yet from his new project!

Julianna Barwick is an interesting choice for a remix EP, but a few of the tracks on her beautiful layered-vocal album did have a head-nodding pulse of bass or other such elements. Diplo & Lunice here are toned down, but still sound about what you’d expect – which is great! I didn’t get to play my other favourite remix from this EP, so hopefully next week hey!

After the insane breakcore ending to “Crystalline”, I’ve approached the new Björk album expecting nothing less than disappointment, so it’s great to discover a number of other tracks let loose the hardcore beats and crazy shit. There’s a fair bit of aimless noodling, but also some genuinely great songs with great production, like the volcanic eruptions from (I presume) 16bit on this one.

…And then the studio was taken over by the lovely Seb & Luke, who reminisced about the last *gasp* 20 years, and played two mega DJ mixes of hardcore and drum’n’bass sounds, old and not so old.

Himuro Yoshiteru is still pumping out the great tunes, and this week we have a couple of hip-hoppy numbers for us. I don’t know Handbook, but his original tune is very nice bassy hip-hop, and Himuro makes it even wonkier & glitchier. Then we heard a more downtempo number from him on the Mizukage label, which I was glad to discover.
Also from Mizukage we then heard Go-Qualia, with some extravagant ambient-meets-drill’n’bass… and then the lovely Ian Hawgood doing beats under his Koen Park moniker, from 2009.

Hilarious concept of the week: Paul Heslin and Reuben Ingall have gotten together with an album created from processed samples of a christian rock video cassette — and they’re releasing it in a limited edition on VHS cassette! But fear not, it’s also available from Bandcamp, and with everything from glitched-up rock guitars to amen breaks, it’s highly recommended.

Having seen the wonderful Spartak in Japan at a couple of the gigs from which their new album Nippon is sourced, I’m very excited that New Weird Australia have releasd it finally. Mournful indie guitars, crazily-glitching vocal samples, hyperactive stumbling drum patterns — it’s Spartak at their best.

illkinski are new to me, a duo one of whom is now based in Australia. I enjoyed the glitchy female vocals on this track, and they led rather nicely into

Sydney’s actual russian brides, whose album came out a little while ago, but I didn’t give it enough of a spin at the time, and now they have a residency at Low302 in Darlinghurst for the next 5 Thursdays. They themselves are a mix of arch performance and deep electronica.

Aria Rostami is a Persian-American artist I discovered through Ollie Bown, who remixes a track in fine Icarus style. Rostami’s music is abstract electronica, and most excellent indeed.

Continuing her excellent curation of fascinating compilations on her Flaming Pines label, Sydney’s Kate Carr has just release five 3″s from a new series (of ten) called Rivers Home. Each artist explores a river dear to their hearts, and tonight we heard one ambient track and one much harder track from Billy Gomberg from his release, “Gowanus Canal”.

Finally for tonight, the lovely violin-looping indie of Melbourne’s Wintercoats, who has graduated from Bandcamp to Mistletone, and just released a 12″/digital EP. His older stuff is still available from his Bandcamp too.

Pentangle – Train Song [Shanachie]
Zammuto – Harlequin (working version) [already gone from his SoundCloud]
Julianna Barwick – Vow (Diplo & Lunice remix) [Asthmatic Kitty]
Björk – Mutual Core [One Little Indian]
…interview with Seb & Luke Sub Bass Snarl about their long history, including one hardcore DJ set and one drum’n’bass DJ set!…
Handbook – Amnesia (Himuro Yoshiteru remix) [Urban Waves Records]
Himuro Yoshiteru – Bird’s Eye View [Mizukage Records]
Go-Qualia – Pannotia [Mizukage Records]
Koen Park – Mountains Capped in Headphones [Mizukage Records]
Paul Heslin – Le Meme Monde [available from Bandcamp]
Reuben Ingall – Wrong! Wrong! Wrong! [available from Bandcamp]
Paul Heslin – Abstinence Makes The Heart Grow Fonder [available from Bandcamp]
Spartak – Rail Star Mode [New Weird Australia]
Spartak – Snowflake Reception (Open) [New Weird Australia]
illkinski – food [self-released]
actual russian brides – puppet [Brigade Music]
actual russian brides – oscillating [Brigade Music]
Aria Rostami – Tokyo [Audiomoves]
Aria Rostami – Cleare (Ollie Bown Remix) [Audiomoves]
billy gomberg – gowanus canal: site / call [flaming pines]
Wintercoats – Unbearable Thinking [Wintercoats Bandcamp]
Wintercoats – Working on a Dream [Mistletone]

Listen again — ~ 161MB

Long weekend! Daylight savings! So much joy.
I have the kids from the the theatrical piece Nothing but a Raucous Instrument coming to chat about their show…
LISTEN AGAIN folks, you know you want to. Link at bottom, podcast URL should still work, and FBi’s On Demand streaming certainly does!

Started, though, with a track from new Dutch singer-songwriter Laura Arkana, collaborating with Peter Broderick. I played this last week but it’s so beautiful I had to play it again!

Then we chatted with Lachlan Hughes and Ivan Cheng from Volta Collective about their chamber operetta Nothing but a Raucous Instrument which they’re putting on this week. See it from Wednesday the 5th to Saturday the 8th (this week) at TAP Gallery in Darlinghurst — modern composition and experimental theatre meet in a story of madrigals and murder…

I just visited the Bandcamp of Motion Sickness of Time Travel after a little time away, and there’s a whole host of new music from her. A Disembodied Voice in the Darkness is particularly lovely, and pretty much describes itself! But from another release we had a buried 4/4 techno beat under her distinctive dreamy vocals.

And then we’re into one of two big compilations this week [adult swim]‘s [unclassified]. It’s not so unclassified really — it’s mostly dubstep and post-dubstep. One of many highlights is dubstep stalwart Pinch — minimal head-nodding goodness.

And thence we follow the bass, into the amazing beatless Bass music of Sun Hammer, who we’ve heard before on the show. This time it’s from SEQUENCE1, a 42-track download album put together by the excellent music blog Future Sequence. It features lots of great drone and post-classical and folktronica, and its fair share also of wonky beats and suchlike. Very fine.
Representing the drone and field recordings side of things is Aussie ex-pat Robert Curgenven.

The new pimmon album The Oansome Orbit, as discussed last week, is a true gem, some of the best work he’s ever done, and I’m sure it’ll remain on these playlists, every week or two for a while yet. Tonight we heard the lovely opening track.

I love compilations for introducing me to new artists as well as potentially bringing me exclusive tracks from artists I love. Future Sequence here bring us Dublin’s Zvuku, whose strings and glitchy drones are very welcome round these parts.

Telafonica are continuing their schedule of releasing remix singles from their album before the album of non-remixed tracks, and “The Unravelling Man” is the second in the list. St Jambience does a nice experimental chopped-up take, while later Actual Russian Brides keep it bassy and beaty.

In between, we heard two tracks from the new EP by Melbourne’s Paul Heslin, made up of non-musical sounds à la Matmos. Nicely done.

Well, speaking of remixes, the last of the Radiohead King of Limbs remix EPs is out, and as well as Jamie xx‘s take, there’s a very danceable (not surprisingly) SBTRKT remix in there.
For my next segue it was necessary to play Busdriver‘s “Bloomberg”, his take on “Bloom” from the Radiohead album, rapping over a loop of the groove and bassline to impressive effect. But that was just to take us into his new single, which is a wobbling-bass-heavy destruction of all that is holy – that’s right, Animal Collective‘s “Leaf House”. It’s pretty awesome, actually, once you get over the WTF factor.

It’s surprising to find Future Sequence interested in beats as well as drones, ambience and glitches, but there you go. Here we have some very nice wonky hip-hop of a sort from Sun Glitters. And back with [adult swim], we have a hazy dream of ’90s hardcore and idm from Zomby – wonderful.

Oh, speaking of ’90s hardcore and idm, the new Plaid album should be out in physical form now, and what a delight it is, as I tried to express in my recent review for Cyclic Defrost. In between a dubstep-influenced track and the gorgeous closer (that piano coda is just perfect), we heard a little dizzy drum’n’bass tune from their first Warp album not for threes.

Back with ex-pat New Zealanders Kompost, we had two excellent tracks from their Bandcamp showcasing some beats and some analogue synths. In between, Perth’s now-defunct Snowman give us some epic shoegaze.

The new Feist album is probably her most pop yet, which is not a bad thing of course, but I’m glad there’s something as edgy as “A Commotion” on there so I can fit it into my playlist. I first came across her on some early albums by (Chilly) Gonzales and got to see her performing with her when he toured in probably about 2003. Our Gonzo (aka Jason Beck) has a bit of a bee in his bonnet about his much-loved Solo Piano album, which critics tend to take more seriously than this flamboyant pop persona. Fair enough; I love that stuff, but I do also appreciate his sense of humour, his lyrical playfulness, and his musical adventurousness. The last track on his new “orchestral rap” album is cute, though, with its cod-Satie piano and rap about how one day he’ll “Shut Up And Play The Piano”, like everybody wants him to do.

UFog face part timer has a rather different take on piano, sampling individual chords for a dreamy piece of folktronica. On the other track I played tonight (both available from his new(ish) Bandcamp), we hear what I assume are his own vocals for once. Lovely!

One of the last two of Preservation‘s Circa series of limited CD releases is from US artist Nickolas Mohanna, who fits in the synthesiser revival of the last few years rather splendidly. Quality stuff.

And finishing up, the first Boxcutter track I’ve liked unreservedly for some time. It’s melodic and dubsteppy.

Laura Arkana met Peter Broderick – Het Vuilnis [Hush Records]
…interview with Lachlan Hughes and Ivan Cheng from Volta Collective…
Lachlan Hughes – excerpt from Nothing but a Raucous Instrument [direct from Volta Collective]
Motion Sickness of Time Travel – Moons Through a Telescope [Teosinte/available from Bandcamp]
Motion Sickness of Time Travel – The Sound [Maggot Valley/available from Bandcamp]
Pinch – Blow Out the Candle [adult swim]
Sun Hammer – Tonningsen Bus Stop II [Future Sequence]
Robert Curgenven – Looking For Narratives on Small Islands (extract) [Future Sequence]
pimmon – passing, never to be held [Room40]
Zvuku – Woodpile [Future Sequence]
Telafonica – The Unravelling Man (St Jambience remix) [available from Bandcamp]
Paul Heslin – tracks 2 & 6 from Chaque Jour [available from Bandcamp]
Telafonica – The Unravelling Man (Actual Russian Brides remix) [available from Bandcamp]
Radiohead – Lotus Flower (SBTRKT remix) [Ticker Tape]
Busdriver – Bloomberg (Radiohead mashup) [Busdriverse]
Busdriver – Leaf House [Temporary Whatever/Alpha Pup]
Sun Glitters – Sing [Future Sequence]
Zomby – Hezagons [adult swim]
plaid – sömnl [Warp]
plaid – headspin [Warp]
plaid – at last [Warp]
Kompost – Consuela Marbella [available from their Bandcamp]
Snowman – A [Dot Dash]
Kompost – The Carpenter [available from their Bandcamp]
Feist – A Commotion [Cherrytree/Interscope]
Gonzales – Salieri Serenade (feat. Feist) [Kitty-Yo]
Chilly Gonzales – Shut Up And Play The Piano [Gentle Threat]
part timer – undead part one [Hibernate/Part Timer Bandcamp]
part timer – ask and receive [Part Timer Bandcamp]
Nickolas Mohanna – Color Theory / Mott Street [Preservation]
Boxcutter – Waiting for the Lights [adult swim]

Listen again — ~ 160MB

Amazing new music from Dutch folk songwriter Laura Arkana ably assisted by Peter Broderick tonight, and also the sublime new pimmon album…
And you can LISTEN AGAIN of course – see link at bottom, or subscribe to podcast, or check out FBi’s On Demand streaming!

Even without the exquisite chamber arrangements of Peter Broderick, the songs of Laura Arkana would be instantly ear-catching. It doesn’t matter that you don’t understand Dutch (but if you do, there’ll be an added layer of goodness) — these are pure inspired songs from the heart. From Broderick, we have his delightful strings, backing vocals and other instruments, turning Lentemusiek into an instant modern folk classic. It’s a must-listen.

Back to 2000, we join Grandaddy with a song from the “Hewlett’s Daughter” single, now collected on the Deluxe edition of The Sophtware Slump. Just a great indie song, albeit with some lovely piano and keyboard lines.

Kompost are two New Zealanders currently based in Sydney, making krautrock-inspired electronic sounds. They’ve got some excellent tracks up on their Bandcamp for free — check them out.

Finally I am able to play you some tracks from the first Flaming Pines release, a compilation called Listen to the Weather.
Both Broken Chip and Field Rotation take a watery theme, but the Blue Mountains’ Broken Chip takes a pulsing electronic approach while Germany’s Field Rotation uses a classical sample (familiar to me but I’m not sure yet that it’s from Georg Frederick Handel’s “Water Music” (which is light and breezy on the whole)) along with the droney electronic distortion.

Philippe Pannier & Isambard Khroustaliov (Sam from Icarus) met at IRCAM a few years ago, but only hooked up for a recording together this year. It’s highly abstract electro-acoustic music, but somewhat grounded by the guitar and banjo of Pannier.

Then we’re back in ravishing drone territory. Wonderful to have a new album from pimmon, and it’s also nice to see it released on ROOM40. Seems like a good home for Paul Gough, and this seems like his masterwork — so far at least. These are works of real beauty, and patient shapeliness.
Lawrence English is the man who runs ROOM40, but this new album from him is on the lovely Experimedia label. Two long 12″ sides, kindly split into “radio edit” tracks on the promo, so I could play you some excerpts. It’s drone, but with just the right amount of movement to it – even harmonic movement. I don’t know the novel it’s a tribute to, but that doesn’t matter!

I’m not sure whether this is newly available online, but Ben Frost‘s soundtrack to Amnesty‘s Invisibles short film is available on Bandcamp. Naturally it sticks more to the delicate acoustic end of his spectrum, but there’s enough growly double bass in there to satisfy us.

Fresh from much enthusiastic UFog airplay from his collaboration with Dung Nguyen, Melbourne jazz/experimental trumpet/laptop artist Peter Knight has a new solo album out, with the fine title Fish Boast of Fishing. We heard a subtle piece where a repetitive bassline supports prepared piano and electronics.

From the UK, Aaron Wheeler’s Laszlo makes an exuberant mix of minimalist classical, folky pop and melodic idm. A surprise hit of the week.

Also great to have Rudi Zygadlo back, after last year’s idiosyncratic post-dubstep album on Planet µ. It’s angular pop, with basslines bouncing between dubstep and keyboard-funk, and a sort of ’70s sheen to the vocals. Fun!

Incredibly exciting that Strictly Kev’s DJ Food is finally ready to release the long-awaited new album. His third EP is out now — originally the album was going to be a compilation of those EPs (the first two of which came out in 2009), but I think it’s mutated a little since then. Even more exciting is the fact that JG Thirlwell aka UFog favourite Foetus appears on the opening track — all sinister snarls for the lead vocal. I revisited DJ Food’s Foetus remix from 10 years ago as well.

I took the opportunity of playing wonderful Stockholm duo Roll The Dice again tonight. “Swing” was the track that turned me on to them last year, from a Digitalis compilation. It’s an irresistible ten minutes of analogue synthesiser programming. We followed it with the closing track from their new album on Leaf, which adds awesome chugging piano to the synths.

Another reprise, from another of the best Australian albums of the year, Tom Hall‘s Muted Angels. Soaring ambient with undercurrents of noise.

Two more remixes of Denmark’s heavy rock/indie band Salli Lunn. First up, fellow Dane Manual takes them into shoegazey territory, while Markus Mehr glitches up the heavy riffs to superb effect.

Before we round out the show with Laszlo’s Fender Rhodes, we have another stray, pattering over from a few weeks ago when I featured the wonderful Japanese piano/breakcore/glitch artist Kashiwa Daisuke. Tonight’s track is chopped-up piano and jittery minimalist beats — something a bit different, but still recognizably him.

And just in from part timer, a new track, which is a remix of flau artist cokiyu, credited to “annim & eisseb”. It’s in his folktronic cut-ups and beats style, and is very pretty indeed.

Laura Arkana met Peter Broderick – Souvenirs [Hush Records]
Laura Arkana met Peter Broderick – Het Vuilnis [Hush Records]
Grandaddy – L.F.O. [Mercury/Universal]
Kompost – Chicken or Fish? [free from Kompost Bandcamp]
Kompost – Skeleton Soul [free from Kompost Bandcamp]
broken chip – hydrosphere [Flaming Pines]
field rotation – watermusic [Flaming Pines]
Philippe Pannier & Isambard Khroustaliov – Recherchées [Not Applicable]
pimmon – düülbludgers [ROOM40]
Lawrence English – The Roar Ceasing (radio edit) [Experimedia]
pimmon – holding, never to be passed [ROOM40]
Lawrence English – The Hunting Life (radio edit) [Experimedia]
Ben Frost – The Gravity of Numbers [buy from Amnesty‘s Invisibles Bandcamp]
Peter Knight – Unknowness 1 [listen/hear collective]
Laszlo – Radial Nerve [Lydian Label]
Laszlo – Mr Sunshine [Lydian Label]
Rudi Zygadlo – Catharine [Pictures Music]
DJ Food – Prey (feat. JG Thirlwell) [Ninja Tune]
Foetus – Suspect (DJ Food‘s Feed ‘Em Their Rights mix) [Thirsty Ear]
DJ Food – In Orbit Every Monday [Ninja Tune]
Roll The Dice – Swing [Digitalis]
Roll The Dice – See You Monday [Leaf]
Tom Hall – Before Being [Complicated Dance Steps]
Salli Lunn – The Invention of Steel (Manual remix) [Hidden Shoal]
Salli Lunn – Parachutes Forever (Markus Mehr remix) [Hidden Shoal]
Markus Jones – 14-4c sw 7mph 47% 1015mb [Flaming Pines]
Kashiwa Daisuke – Silver Moon [Noble]
cokiyu – your thorn (annim & eisseb remix by part timer) [unreleased, original on flau]
Laszlo – Rhodesy [Lydian Label]

Listen again — ~ 157MB

Hey hey! Many interestings for you tonight, and a real pleasure to have the new Mara Carlyle album in hand…
Yup, LISTEN AGAIN as usual, link at bottom of playlist, podcast subscribable, FBi’s beta On Demand service working just fine-oh. Go on, do it.

I was totally surprised to mostly like the new Mogwai album this year. They continue the trend with their new Earth Division EP, which has songs (not exclusively), piano, and strings cutting in and out of the bombastic post-rock guitar stuff. It’s different! And good.

Very interesting hearing Matthew Cooper aka Eluvium collaborating with Peter Broderick on a new 5″ (yes!) vinyl single from Brian Records. It’s more Broderick than Cooper from these two brief tracks. I hope we get to hear more…

Finally Heidi Elva’s new EP is available from her Bandcamp. It’s true to its name, lo-fi musings, and she takes advantage of the lo-fi nature to bring her right inside the performances, layering field recordings, micing up odd parts of her harp and singing into pickups, etc. These songs have been part of her live sets since before she moved to Melbourne, and it’s lovely to finally have recordings of them.

Canberra’s Austin Buckett is the pianist in post-jazz Pollen Trio and also plays keyboards with postrockers Kasha. The Andrew Pekler remix I played is one of those tracks I could just put on repeat endlessly. Austin’s new album is something different again – contemporary composition for piano and string quartet, with some electronic studio interventions going on.

Washington DC’s BLK w/ BEAR are a collective made up of turntable, cello and bass, along with effects and electronics from all. I hadn’t realised when I picked this up that it was remixes of another artist, and it’s quite murky, mysterious stuff that doesn’t very clearly reference its origins anyway. A quite fascinating short release.

And so we reach The Lovely Mara Carlyle. I don’t want to harp on about her (ex-)relationship with Andy from Plaid, but so much of her much-delayed new album is clearly about him that it’s worth a mention. Somewhere along the line they broke up, but it’s not really an angry break-up album. However, a few songs including the gorgeous highlight “King” are even addressed to him, and it’s absolutely touching. Mara’s luminous vocals appear on a many of the early Plaid albums (including the hidden track on Rest Proof Clockwork), but she didn’t release a solo album until Matthew Herbert released The Lovely on his Accidental Records in 2004. Although she had a background in punk bands (apparently), her pure voice is perfect for classical music, or folky ukulele as much as electronic arrangements. We heard her on a beloved Plaid track from 2001 and also on Herbert’s first Big Band album. Her new album took a few listens to grow on me, but I now think it’s an absolutely worthy follow-up, lyrically and musically moving.

It’s only reasonable that we follow up with a couple of new Plaid tracks. What a great effort, 2+ decades on.
The first of these tracks has a slow-moving bassline, a subsection of which reminds me every time of the two-note bassline from Autechre’s “Nuane”, which closes their seminal, never-matched Chiastic Slide album. I played a good chunk of this 13-minute track, because I can.

Hopeless Local Marching Band are a Japanese math rock band who, unfortunately, do not transcend the genre’s rather leaden musicality. In fact, to be totally honest they take an already-un-thrilling genre and make it worse, with bizarre vaudevillian touches, a melodic approach borrowed from the worst of postrock, and a ham-fisted understanding of harmony. Sorry for the invective, but what’s interesting is that nevertheless they’ve inspired a rather excellent remix disk — proof, if it was needed, that remix albums are great compilations, regardless of who the original artist is.
I did play one original track from them: the only one that wasn’t given a remix, and coincidentally the best track on the album. Then we have, from Greece, Melorman doing a lovely breezy IDM mix, while Japan’s own Geskia! take it into fun drill’n’bass territory, and Vic Mars turns in a delight — a bit of jangly instrumental indie.

It’s so great to have something new from Buttress O’Kneel. She’s dropped another “Compop” album, typical digital mashup stuff with breakcore beats and lots of fun involved.
From the even deeper past, Scattered Order return (I know, they reformed a year or two ago) with a brilliant EP of samples, sawtooth guitar and buried vocals. It’s not a million miles from the older Scattered Order, although the early track I played is far more stripped back. So exciting though — I missed the album they recently put out, so I’ll get hold of that for next week!

Discovering the post-dubstep minimal tech lurch of Berlin’s Objekt earlier this year was pretty exciting, so it was a nice surprise to see Radiohead commission a remix from him so early in his career! The weird glitches early in this track are very disturbing, but the bass and kick here are immense — this is definitely a contender for one of the top mixes (although I think Caribou’s is probably still untouchable).

Also a great pleasure to have Luke Killen back making tracks, or at least releasing them in an easy-to-find way. He co-ran the Couchblip! label, bringing awesome idm into the country and releasing his own music as Disjunction Reunion. There’s some atmospheric Bass music up on his SoundCloud for free, highly recommended.

And finally we hit the new New Weird Australia compilation Vox, co-curated with Gail Priest, an inspiring inventory of experimental vocal music from Australia.
We start with a recent discovery for me, Paul Heslin.

Before we continue with NWA Tracks, a quick detour: part timer‘s undead EP is now available as a beautiful postcard 3″ from UK’s Hibernate or direct from the Part Timer Bandcamp. And I’lls’ EP is still getting plenty of spins on my virtual turntable. What a beauty of shoegazey indietronica.

Back with NWA, we have from Adelaide the indietronica of Mosaic Mosaic, and one of Scissor Lock‘s droney layered vocal pieces, perfect for this comp.

Penultimately, we need a selection from Animals on Wheels‘ eighth and final release in his 8 EPs in 8 Weeks. It’s mostly pretty stuff on this one. In a week or two I’ll do a bit of a summation of them all – it’s been a fun ride!

And finally, lucky dragons have released a surprise new track via the Mistletone SoundCloud, in preparation for their October Aus tour. Woo-hoo!

Mogwai – Drunk and Crazy [Rock Action/Spunk]
Matthew Cooper/Peter Broderick – I Am Light, I Am Darkness [Brian Records]
Heidi Elva – Gardenia [available from her Bandcamp]
Austin Benjamin Trio – Xenosphere (Andrew Pekler remix) [hellosQuare]
Austin Buckett – Stuttershine [hellosQuare]
BLK w/ BEAR – Sumimasen (remix of Yonokiero) [front & follow]
Mara Carlyle – But Now I Do… [Ancient and Modern]
Mara Carlyle – Dido’s Lament (Remember Me) [Accidental Records]
Plaid – Manyme (feat. Mara Carlyle) [Warp]
The Matthew Herbert Big Band – The Three W’s (feat. Mara Carlyle) [Accidental Records]
Mara Carlyle – Lost To Sea [Accidental Records]
Mara Carlyle – King [Ancient and Modern]
plaid – tender hooks [Warp]
plaid – 35 summers [Warp]
Autechre – Nuane (excerpt) [Warp]
hopeless local marching band – the aspiring novelist doesn’t have a dream (melorman remix) [Symbolic Interaction]
hopeless local marching band – a man with a shabby suit is in a weekend crowd (vic mars remix) [Symbolic Interaction]
hopeless local marching band – the liar eventually finds himself deceived [Symbolic Interaction]
hopeless local marching band – the old man chokes up with tears, thinking he will be saved soon (geskia! remix) [Symbolic Interaction]
Buttress O’Kneel – Take You Away [Alias Frequencies]
Scattered Order – Babble Fridge [Rather By Vinyl]
Scattered Order – Personal Safety [M Squared]
Radiohead – Bloom (Objekt rmx) [Ticker Tape]
Objekt – Tinderbox [Objekt]
Luke Killen – lonely water [available from SoundCloud]
Paul Heslin – Young Girls and Cigarettes [New Weird Australia]
part timer – undead part four [Hibernate/Part Timer Bandcamp]
I’lls’ – To Not Second Guess Oneself [available from Bandcamp]
Mosaic Mosaic – Brand New [New Weird Australia]
Scissor Lock – Room Tape [New Weird Australia]
Animals on Wheels – Better Bitter [Animals on Wheels weblog]
lucky dragons – music for no reason [download from Mistletone SoundCloud]

Listen again — ~ 154MB